Her & him
Posted 05/07/2008 - 19:19
Link
Very nice, #1 and #2 are superb captures
How about trying to add a bit more contrast, shopuld give them even more impact.
How about trying to add a bit more contrast, shopuld give them even more impact.
Cheers
Brian.
LBA is good for you, a Lens a day helps you work, rest and play.
Brian.
LBA is good for you, a Lens a day helps you work, rest and play.
Posted 05/07/2008 - 19:41
Link
Fantastic! Very creative!
Together, what a story!
The first two are, as McBrian says, the better images; in the context of them, the third works, but perhaps on its own isn't as distinct. (Having them embrace, as you have done, is obviously more passionate, but having them holding hands but slightly apart, would allow the 'his' 'her' distinctiveness be more apparent - IF there's room in the doorway.
And, is it possible to darken the shadows without loosing all the lovely detail in the tiles?
Would love to hear how your inspiration for this series came about!
Together, what a story!
The first two are, as McBrian says, the better images; in the context of them, the third works, but perhaps on its own isn't as distinct. (Having them embrace, as you have done, is obviously more passionate, but having them holding hands but slightly apart, would allow the 'his' 'her' distinctiveness be more apparent - IF there's room in the doorway.
And, is it possible to darken the shadows without loosing all the lovely detail in the tiles?
Would love to hear how your inspiration for this series came about!
Keith
K100D Super, DA 18-55, M 50 1.4, M 100 4 Macro
"The present is the object of vision, and what I see before me at any given second is a full field of color-patches scattered just so. The configuration will never be repeated." ~ Annie Dillard
K100D Super, DA 18-55, M 50 1.4, M 100 4 Macro
"The present is the object of vision, and what I see before me at any given second is a full field of color-patches scattered just so. The configuration will never be repeated." ~ Annie Dillard
Posted 05/07/2008 - 20:18
Link
Very creative.
What is the story behind these images :
What is the story behind these images :
Hyram
Bodies: K20D (2), K10D, Super A, ME Super, Auto 110 SLR, X70, Optio P70
Pentax Glass: DA* 300, DA* 60-250, DA* 50-135, DA* 16-50, DA 70 Ltd, FA 31 Ltd, DA 35 Ltd, DA 18-55 (2), DA 12-24, DA 10-17, M 200, A 35-70, M 40, M 28, Converter-A 2X-S, 1.4X-S, AF 1.7, Pentax-110 50, Pentax-110 24
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Flash: Metz 58 AF-1 P, Pentax AF160FC ringflash, Pentax AF280T
Bodies: K20D (2), K10D, Super A, ME Super, Auto 110 SLR, X70, Optio P70
Pentax Glass: DA* 300, DA* 60-250, DA* 50-135, DA* 16-50, DA 70 Ltd, FA 31 Ltd, DA 35 Ltd, DA 18-55 (2), DA 12-24, DA 10-17, M 200, A 35-70, M 40, M 28, Converter-A 2X-S, 1.4X-S, AF 1.7, Pentax-110 50, Pentax-110 24
Other Glass: Sigma 105 macro, Sigma-A APO 75-300
Flash: Metz 58 AF-1 P, Pentax AF160FC ringflash, Pentax AF280T
Posted 08/07/2008 - 02:06
Link
Quote:
1 & 2 Are superb, but methinks number 3 is a bit of digital trickery combining the others.
Am I right?
Hmm! The plot of this already-interesting story thickens!
1 & 2 Are superb, but methinks number 3 is a bit of digital trickery combining the others.
Am I right?
Keith
K100D Super, DA 18-55, M 50 1.4, M 100 4 Macro
"The present is the object of vision, and what I see before me at any given second is a full field of color-patches scattered just so. The configuration will never be repeated." ~ Annie Dillard
K100D Super, DA 18-55, M 50 1.4, M 100 4 Macro
"The present is the object of vision, and what I see before me at any given second is a full field of color-patches scattered just so. The configuration will never be repeated." ~ Annie Dillard
Posted 08/07/2008 - 07:09
Link
Thank you everyone.
It was an underground passage under a larger street. The light was falling this way at about 18:30 and I saw this another day I went to the nearby postal office to pick up a package.
I made the shots but only at home, looking over them I saw the story, so it wasn't premeditated.
Thanks again.
It was an underground passage under a larger street. The light was falling this way at about 18:30 and I saw this another day I went to the nearby postal office to pick up a package.
Quote:
1 & 2 Are superb, but methinks number 3 is a bit of digital trickery combining the others.
Am I right?
No, they are, let's say, original images 1 & 2 Are superb, but methinks number 3 is a bit of digital trickery combining the others.
Am I right?
I made the shots but only at home, looking over them I saw the story, so it wasn't premeditated.
Thanks again.
Posted 08/07/2008 - 08:09
Link
Why not combine them into a triptych? Put all three pictures into a single frame collage. It would read as more of a story that way.
Excellent work.
Excellent work.
Posted 08/07/2008 - 23:05
Link
I love them, very very atmospheric, somehow no3 does not do it for me, methinks, concluding the story is too much information?
Posted 09/07/2008 - 19:31
Link
Thank you all I'll take in consideration your observations.
Posted 11/07/2008 - 17:43
Link
maybe it is not such a nice like above
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83 posts
18 years
(c) Cosmin Munteanu
and Him
(c) Cosmin Munteanu
...together
(c) Cosmin Munteanu
Pentax K100D & ...
First two : smc Pentax-M 50mm f:1.7
last one: Soligor 135mm f:2.8 (T)