Goth weekend prints!
Posted 05/05/2010 - 21:09
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How did you find the comparison to the colours and tones on your screen to the prints? I've actually send a roll of HP5 to Ilford and am going to see how they turn out.
Posted 05/05/2010 - 22:14
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They are spot on!,true colours and tones,they were shot with the 50/135 so they are razor sharp.I've tried various companies but they are the best I've had by a country mile!...good luck with the old "film"...
K20D...ist DS ,DA18/55,DA16/45.DA* 50/135,"A"1.7 50MM..."A" 70/210..M 50mm f2...Tamron 90mm macro,28/300 Tamron,200/500 Tamron 6.9....A Pentax DA*300... Sigma10/20,FA31mm 1.8 Ltd*********,FA 77mm Ltd!
Posted 05/05/2010 - 22:20
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Quote:
I've actually send a roll of HP5 to Ilford
Not developing yourself then?I've actually send a roll of HP5 to Ilford
If you're shooting B&W with the MZ-7 try developing as well, it's very satisfying!
I'd recommend an Agfa Rondinax 35u, available on ebay and easy to use...
.. they must be, I can do it!
Cheers, HG
K110+DA40, K200+DA35, K3 and a bag of lenses, bodies and other bits.
Mustn't forget the Zenits, or folders, or...
PPG entries.
K110+DA40, K200+DA35, K3 and a bag of lenses, bodies and other bits.
Mustn't forget the Zenits, or folders, or...
PPG entries.
Posted 06/05/2010 - 08:17
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Hardgravity wrote:
If you're shooting B&W with the MZ-7 try developing as well, it's very satisfying!
I'd recommend an Agfa Rondinax 35u, available on ebay and easy to use...
.. they must be, I can do it!
Normally I do. I just haven't got around to scanning the negatives yet. Quote:
I've actually send a roll of HP5 to Ilford
Not developing yourself then?I've actually send a roll of HP5 to Ilford
If you're shooting B&W with the MZ-7 try developing as well, it's very satisfying!
I'd recommend an Agfa Rondinax 35u, available on ebay and easy to use...
.. they must be, I can do it!
But this was a on-off Jessops money-losing special and it including developing and prints for £2.99.
If the quality is good I might send some jpegs to them.
Posted 06/05/2010 - 08:38
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greynolds999 wrote:
How did you find the comparison to the colours and tones on your screen to the prints? I've actually send a roll of HP5 to Ilford and am going to see how they turn out.
I think you'll find the colours a bit under-saturated.
How did you find the comparison to the colours and tones on your screen to the prints? I've actually send a roll of HP5 to Ilford and am going to see how they turn out.
Ken
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
Posted 06/05/2010 - 12:57
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gartmore wrote:
greynolds999 wrote:
How did you find the comparison to the colours and tones on your screen to the prints? I've actually send a roll of HP5 to Ilford and am going to see how they turn out.
I think you'll find the colours a bit under-saturated.How did you find the comparison to the colours and tones on your screen to the prints? I've actually send a roll of HP5 to Ilford and am going to see how they turn out.
Kris Lockyear
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
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