exposure compensation
Posted 10/02/2007 - 16:25
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A light meter, including the one built into a camera, integrates the reading it makes to make an average overall grey (18% reflectance). In other words, it assumes that the scene will, on average, be overall grey.
Suppose you have a grey wall filling the viewfinder. The picture will indeed be grey and will turn out grey.
If the wall was white the camera would think it was too bright and would reduce the exposure so the wall truned out grey. But you want it white, so you use exposure compensation to increase the exposure given.
If the wall was black the camera would think it was too dark and would increse the exposure to make it grey. You want it black, so you use esposure compensattion to reduce the exposure and render the wall black.
A real world example is snow, and we have seen a few examples of this on this forum recently. If you meter as normal the snow turns out grey for the reason given above. So you need to use exposure compensation to render the snow white by increasing exposure.
You can experiment with different subjects and see the outcome on the histogram. With experience, you will know hoe much to compensate by to obtain perfect exposure.
Whole books have been written about this. The classic way to approach it is via the Zone System, but I will spare you an explanation of that for now.
Hope that helps!
Suppose you have a grey wall filling the viewfinder. The picture will indeed be grey and will turn out grey.
If the wall was white the camera would think it was too bright and would reduce the exposure so the wall truned out grey. But you want it white, so you use exposure compensation to increase the exposure given.
If the wall was black the camera would think it was too dark and would increse the exposure to make it grey. You want it black, so you use esposure compensattion to reduce the exposure and render the wall black.
A real world example is snow, and we have seen a few examples of this on this forum recently. If you meter as normal the snow turns out grey for the reason given above. So you need to use exposure compensation to render the snow white by increasing exposure.
You can experiment with different subjects and see the outcome on the histogram. With experience, you will know hoe much to compensate by to obtain perfect exposure.
Whole books have been written about this. The classic way to approach it is via the Zone System, but I will spare you an explanation of that for now.
Hope that helps!
Best regards, John
Posted 10/02/2007 - 18:04
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Quote:
I may be missing the point, but if you shoot in manual mode you can stop down or open up aperture, or speed up or slow down shutter.
If you are using a program mode and have to press buttons to adjust EC, wouldn't you be better off using manual?
True, shooting manual means you would never need to use exposure comp.I may be missing the point, but if you shoot in manual mode you can stop down or open up aperture, or speed up or slow down shutter.
If you are using a program mode and have to press buttons to adjust EC, wouldn't you be better off using manual?
That's why I always shot in manual when I used slides, it was quicker than fiddling with buttons.
But a lot of people shoot in Av mode for quicker work... you just point, frame focus shoot, and meter does it's own work. Hence the need to override the meters readings at times, as John described.
Some situations happen fast and using manual metering will sometimes cost you the shot while you are busy making adjustments.
But if you are doing something like landscape, you have the time to do detailed metering and manual would work great here.
But lets say you are shooting snow leopards in the mountains... you need to work fast! So you can preset the meter to Av and add a +1.5 exposure setting (to compensate for snow) and shoot away as the action unfolds, and the meter will make any fine adjustments on its own. If you were in manual mode you may need to adjust constantly if the leopard is moving in and out of shade and sunlight.
We've all been there before eh!
Posted 10/02/2007 - 19:03
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Bloody snow leopards! They keep harrasing my goats!
Thanks peeps,
So, for slow, leisurely work, I can carry on and use manual and adjust as needed.
For faster changing conditions use Av (or most suitable program mode) and alter EC to suit.
Thanks peeps,
So, for slow, leisurely work, I can carry on and use manual and adjust as needed.
For faster changing conditions use Av (or most suitable program mode) and alter EC to suit.
Please call me aj,
I use a Pentax K10D, on a MacBook with LightRoom (vers 1.3 + beta 2)
http://www.ba-joseph.co.uk/gallery
I use a Pentax K10D, on a MacBook with LightRoom (vers 1.3 + beta 2)
http://www.ba-joseph.co.uk/gallery
Posted 11/02/2007 - 13:08
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There is no need for any of this faffing about, just take an incident reading IE the light falling on the subject rather than reflected by it and a perfect exposure every time is guaranteed!!!
Ken
Ken
Ken
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
Posted 11/02/2007 - 17:42
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Quote:
There is no need for any of this faffing about, just take an incident reading IE the light falling on the subject rather than reflected by it and a perfect exposure every time is guaranteed!!!
Ken
of course the snow leopard will either be several miles away or have decided you look tasty by the time the shot is set up.....
There is no need for any of this faffing about, just take an incident reading IE the light falling on the subject rather than reflected by it and a perfect exposure every time is guaranteed!!!
Ken
Posted 11/02/2007 - 19:34
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Quote:
Yeers... There is no way I'm going to wave my arm about just in front of a snow leopard, or any other wild animal in fact!gartmore wrote:
There is no need for any of this faffing about, just take an incident reading IE the light falling on the subject rather than reflected by it and a perfect exposure every time is guaranteed!!!
Ken
of course the snow leopard will either be several miles away or have decided you look tasty by the time the shot is set up.....There is no need for any of this faffing about, just take an incident reading IE the light falling on the subject rather than reflected by it and a perfect exposure every time is guaranteed!!!
Ken
And by the time I've trudged from my shooting spot to the other side of the valley to take a landscape shot, someone will have nicked me camera!
Please call me aj,
I use a Pentax K10D, on a MacBook with LightRoom (vers 1.3 + beta 2)
http://www.ba-joseph.co.uk/gallery
I use a Pentax K10D, on a MacBook with LightRoom (vers 1.3 + beta 2)
http://www.ba-joseph.co.uk/gallery
Posted 12/02/2007 - 09:07
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I honestly cant see any problems shooting snow leopards, the people across the road from me keep two in their house - true, no kidding - but thats footballers and their wives for you. Just come to Glasgow and it'll be easy as shooting fish in a barrel so long as you get the exposure right
Ken
Ken
Ken
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
Posted 12/02/2007 - 10:53
Link
Quote:
I honestly cant see any problems shooting snow leopards, the people across the road from me keep two in their house - true, no kidding - but thats footballers and their wives for you. Just come to Glasgow and it'll be easy as shooting fish in a barrel so long as you get the exposure right
Ken
mmm I always have trouble with the reflections off the surface of the water when I try shooting fish in a barrel, perhaps I need to invest in a polariser
I honestly cant see any problems shooting snow leopards, the people across the road from me keep two in their house - true, no kidding - but thats footballers and their wives for you. Just come to Glasgow and it'll be easy as shooting fish in a barrel so long as you get the exposure right
Ken
Posted 12/02/2007 - 11:35
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Quote:
If you are using a program mode and have to press buttons to adjust EC, wouldn't you be better off using manual?
Some lenses require a permanent EV correction of say 0.3 ... 0.7. If you are using a program mode and have to press buttons to adjust EC, wouldn't you be better off using manual?
It is easier to dial this in only once and then work with the automatics than to use M all the time.
blende8
Lens-Buying-Enabler, retired
Admission executive of the "Kate IS/WAS/AND CONTINUES TO BE WONDERFUL" Nutters Club
Lens-Buying-Enabler, retired
Admission executive of the "Kate IS/WAS/AND CONTINUES TO BE WONDERFUL" Nutters Club
Posted 12/02/2007 - 13:08
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Quote:
Its not polar bears we're talking about now is it?gartmore wrote:
I honestly cant see any problems shooting snow leopards, the people across the road from me keep two in their house - true, no kidding - but thats footballers and their wives for you. Just come to Glasgow and it'll be easy as shooting fish in a barrel so long as you get the exposure right
Ken
mmm I always have trouble with the reflections off the surface of the water when I try shooting fish in a barrel, perhaps I need to invest in a polariserI honestly cant see any problems shooting snow leopards, the people across the road from me keep two in their house - true, no kidding - but thats footballers and their wives for you. Just come to Glasgow and it'll be easy as shooting fish in a barrel so long as you get the exposure right
Ken
Ken
Ken
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
Posted 12/02/2007 - 18:39
Link
Quote:
Ken
no, I tried using a Polar Bear as a substitute for a Polariser. He proceeded to splash around in the barrel making it even harder to see through the surface and then are all the fish
Mongoose wrote:
Its not polar bears we're talking about now is it?Quote:
I honestly cant see any problems shooting snow leopards, the people across the road from me keep two in their house - true, no kidding - but thats footballers and their wives for you. Just come to Glasgow and it'll be easy as shooting fish in a barrel so long as you get the exposure right
Ken
mmm I always have trouble with the reflections off the surface of the water when I try shooting fish in a barrel, perhaps I need to invest in a polariserI honestly cant see any problems shooting snow leopards, the people across the road from me keep two in their house - true, no kidding - but thats footballers and their wives for you. Just come to Glasgow and it'll be easy as shooting fish in a barrel so long as you get the exposure right
Ken
Ken
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693 posts
19 years
s. wales
I may be missing the point, but if you shoot in manual mode you can stop down or open up aperture, or speed up or slow down shutter.
If you are using a program mode and have to press buttons to adjust EC, wouldn't you be better off using manual?
Is there something (else) I don't understand here?
Thanks for you help.
I use a Pentax K10D, on a MacBook with LightRoom (vers 1.3 + beta 2)
http://www.ba-joseph.co.uk/gallery