Elterwater Dawn
Posted 21/04/2014 - 19:54
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#4 I think, where a little warmth is just spreading into the distance.
Best regards, John
Posted 21/04/2014 - 20:08
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Use the ground and water of No 4, then take the sky of No 1 and blend them with PS layers - that would look best I think.
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Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
Posted 21/04/2014 - 20:36
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No. 4 for me. K.
Kris Lockyear
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
Posted 21/04/2014 - 20:46
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Yes, sorry, contrails are an issue, not looking!. I just felt warm sky in 4 was a bit too much, the deeper blue was nicer - maybe just select the sky and change the temperature on it a little>?
My Guides to the Pentax Digital Camera Flash Lighting System : Download here from the PentaxForums Homepage Article .... link
Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
Posted 21/04/2014 - 20:47
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All cracking photographs! If I had to choose, it would be between 1 and 4.
The difference in 10 minutes is quite dramatic given is was such a calm and almost cloudless day.
The difference in 10 minutes is quite dramatic given is was such a calm and almost cloudless day.
Posted 21/04/2014 - 20:47
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number 4 by a mile
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Mike
Pentax K5 / Pentax K5 11/ Pentax K200D / Canon Rebel T1 i / Canon 650D / Pentax MX-1 / Fuji XF1 /Fuji X 10 / Canon EOS-M / Canon G10/ Pentax Mz-7 x 2
Mike
Pentax K5 / Pentax K5 11/ Pentax K200D / Canon Rebel T1 i / Canon 650D / Pentax MX-1 / Fuji XF1 /Fuji X 10 / Canon EOS-M / Canon G10/ Pentax Mz-7 x 2
Posted 21/04/2014 - 21:14
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yep what he said ^^^
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Mike
Pentax K5 / Pentax K5 11/ Pentax K200D / Canon Rebel T1 i / Canon 650D / Pentax MX-1 / Fuji XF1 /Fuji X 10 / Canon EOS-M / Canon G10/ Pentax Mz-7 x 2
Mike
Pentax K5 / Pentax K5 11/ Pentax K200D / Canon Rebel T1 i / Canon 650D / Pentax MX-1 / Fuji XF1 /Fuji X 10 / Canon EOS-M / Canon G10/ Pentax Mz-7 x 2
Posted 21/04/2014 - 21:15
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Many thanks folks. Pretty much unanimous
Posted 22/04/2014 - 07:28
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4 does it for me also. Lovely location, isn't it?
Also good as a sunset location in winter.
I've had low lying mist on the water at that location too.
And swans on the river..
Paul
Also good as a sunset location in winter.
I've had low lying mist on the water at that location too.
And swans on the river..
Paul
K3ii, DA16-85, DA35mm Limited, FA77mm Limited, 55mm f1.8 K, 135mm f3.5 M, DA300, DA 1.4 HD TC,
DA16-45, Sigma 15mm f2.8. Cosina 100mm f3.5 macro
DA16-45, Sigma 15mm f2.8. Cosina 100mm f3.5 macro
Posted 22/04/2014 - 10:48
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If I knew what this # means, I would use it (NOT), No. 3 for me.
Pentax K1-ii and MZ6
Pentax Lenses 28-80 F, 300 DA*, 80-200 F, 35 F2.4 AL, M50 F1.7, 28-105 DFA, 20 F4 SMC
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Pentax Lenses 28-80 F, 300 DA*, 80-200 F, 35 F2.4 AL, M50 F1.7, 28-105 DFA, 20 F4 SMC
ONE UNITED Member
Posted 22/04/2014 - 10:55
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# is a symbol widely used to represent "Number" as it has been for many decades. It's not a smart phone era text-speak abbreviation.
Best regards, John
Posted 22/04/2014 - 11:29
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Well done for numbering them!
#4 for me.
Incidentally, did you lighten the water? The reflection seems lighter than the origin, which is kind of impossible, isn't it?
I can see how mist would lower contrast and crate a lightness in the distance with corresponding lack of detail, but in the foreground? Just pondering...
#4 for me.
Incidentally, did you lighten the water? The reflection seems lighter than the origin, which is kind of impossible, isn't it?
I can see how mist would lower contrast and crate a lightness in the distance with corresponding lack of detail, but in the foreground? Just pondering...
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1057 posts
15 years
Glossop,
UK
Be interested in which one folk prefer.
#1
#2
#3
#4
Some of my vaguely better stuff