Can anyone explain this?
Posted 01/03/2011 - 23:45
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The 18-35mm is a full frame lens and can be used on film cameras.
Best regards, John
Posted 01/03/2011 - 23:54
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:blushOH!
Should have realised that John, FAJ as opposed to DAL, but even so, taking into account the lack of popularity in film cameras it still seems odd.
I shall have to run a film through my MZ7 now, especially as it can utilise FAJ lenses
Should have realised that John, FAJ as opposed to DAL, but even so, taking into account the lack of popularity in film cameras it still seems odd.
I shall have to run a film through my MZ7 now, especially as it can utilise FAJ lenses
Posted 02/03/2011 - 00:01
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I've looked at the 18-35mm before now, only snag is the lack of an aperture ring.
I would be looking seriously at the Samyang 14mm if reviews were a little more unanimous, as that would be usable on everything from my 1970s KX to my K-m.
I would be looking seriously at the Samyang 14mm if reviews were a little more unanimous, as that would be usable on everything from my 1970s KX to my K-m.
Matt
Shooting the Welsh Wilderness with K-m, KX, MX, ME Super and assorted lenses.
Shooting the Welsh Wilderness with K-m, KX, MX, ME Super and assorted lenses.
Posted 02/03/2011 - 10:23
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Just had a look on Dimitrovs pages, apparently this lens is supposed to have Ghostless Coating, which may further explain the higher price, unless of course Pentax have produced an ordinary SMC verion with plastic mount as a kit lens to bundle with the istD:.
Posted 02/03/2011 - 11:49
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The inability to use Av or manual modes on a film body that cannot set the aperture (i.e., everything before the A series and a good smattering of bodies thereafter including the MZ-S) makes this lens less attractive to me than it might be otherwise. If I ever end up with an MZ-6 I might be more tempted.
K.
K.
Kris Lockyear
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
Posted 02/03/2011 - 14:43
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It's a nice lens and the widest full frame zoom ever produced. Had some good results with it, although from memory I tended to use the upper end of the range more than the wider end when it was matched with a crippled KAF2 body. Never used it with either of my ist Ds and it's slipped off the active list, especially now I've got the FA20-90 which I can use with my MZSs
Steve
Steve
In the Pack - Gripped K5 (SE),K7 & K20, Gripped MZ-S(SE)& MZ-S,DA10-17, DA12-24, DA14, DA*16-50, 50-135, 60-250 & 300mm; FA31mm/43mm/77mm Ltds; Sigma 8-16, 135-400 & 150-500
Half Backs: K10+BG,DA16-45, DA50-200
Backs: LXs,Super As and lots of A, M & K lenses
Impact Subs: 28mm Shift, K 135-600 (the Banahan of Pentax zooms ), 400-600 Reflex
Half Backs: K10+BG,DA16-45, DA50-200
Backs: LXs,Super As and lots of A, M & K lenses
Impact Subs: 28mm Shift, K 135-600 (the Banahan of Pentax zooms ), 400-600 Reflex
Posted 02/03/2011 - 14:57
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Steve Chasey wrote:
It's a nice lens and the widest full frame zoom ever produced.
Can you elaborate on this a little as I have two FF zooms that are wider.It's a nice lens and the widest full frame zoom ever produced.
Best regards
Too far from a shore.
Posted 02/03/2011 - 16:50
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I have to say that I agree with Spider. Very odd.
Perhaps the number of people hoping for (and actually expecting) a 135-format DSLR from Pentax is greater than hitherto suspected.
Or perhaps just a few optimists are trying to corner the market in 135-format lenses, just as Nelson Bunker Hunt did with the silver market in the late seventies. (He got wiped out.)
Or perhaps Pentax really ARE going to turn myth into reality, and surprise the sober citizens. And Pentax employees-in-the-know are doing the buying.
But there is a flaw in all these suppositions. Why aren't the prices of other 135-format lens also taking off?
G
(Baffled)
Perhaps the number of people hoping for (and actually expecting) a 135-format DSLR from Pentax is greater than hitherto suspected.
Or perhaps just a few optimists are trying to corner the market in 135-format lenses, just as Nelson Bunker Hunt did with the silver market in the late seventies. (He got wiped out.)
Or perhaps Pentax really ARE going to turn myth into reality, and surprise the sober citizens. And Pentax employees-in-the-know are doing the buying.
But there is a flaw in all these suppositions. Why aren't the prices of other 135-format lens also taking off?
G
(Baffled)
Keywords: Charming, polite, and generally agreeable.
Posted 02/03/2011 - 17:19
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A number of people will value the fact it has an extremely useful range on both 135 format film and APSC digital, and is full-frame future proof. This niche market probably exceeds supply. The 18-55mm on the other hand is oversupplied, and can even be bought new for under £50
Posted 03/03/2011 - 00:27
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fatspider wrote:
I can only think of the fish eye Gary, maybe you could enlighten us both
I can only think of the fish eye Gary, maybe you could enlighten us both
Mike-P wrote:
Well as Steve didn't say : it's a nice lens and the widest full frame zoom ever produced by Pentax I have to offer up my Sigma 12-24mm and 17-35mm lenses.
Both having aperture rings.
As Mike points out, the missing words were "by Pentax" but as you say the fish eye is the obvious one. I have that and a 14-24mm zoom. Either way, no big issue as enlightenment is normally for the better good.Well as Steve didn't say : it's a nice lens and the widest full frame zoom ever produced by Pentax I have to offer up my Sigma 12-24mm and 17-35mm lenses.
Both having aperture rings.
Best regards
Too far from a shore.
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