Bench in the fog
Posted 28/01/2021 - 23:21
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It's a nice shot, I like both light amd composition. Glad you had success with it
Posted 29/01/2021 - 07:41
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I can see why Kris. Very good mono image.
Best regards
Best regards
Too far from a shore.
Posted 29/01/2021 - 08:22
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+1 for a great mono shot. Why is it that I like mono more than colour. Perhaps an age thing, all my childhood photos were mono? I don't know. Anyway, I like this one. Well done.
Just passing thru
Posted 29/01/2021 - 09:00
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Love that! So thought provoking and makes you ponder
Gareth Williams ARPS
My outfit: K1ii - Pentax D FA 24-70mm f2.8 - Pentax DA* 300mm f4 - Pentax modified DA* 60-250mm f4 - Irix 15mm Firefly - Pentax FA 35mm - FA 50mm f1.4 - Tamron SP 90mm macro - Pentax AF 540 FGZ II
Welsh Photographer
Flickr
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My PPG
Foundation NFT
My outfit: K1ii - Pentax D FA 24-70mm f2.8 - Pentax DA* 300mm f4 - Pentax modified DA* 60-250mm f4 - Irix 15mm Firefly - Pentax FA 35mm - FA 50mm f1.4 - Tamron SP 90mm macro - Pentax AF 540 FGZ II
Welsh Photographer
Flickr
My PPG
Foundation NFT
Posted 30/01/2021 - 00:05
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Simple is often better. This has a wonderful tonal range that drags you into the distance and pulls you straight back again.
Posted 30/01/2021 - 09:40
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Thanks everyone.
Kris Lockyear
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
Posted 03/02/2021 - 23:01
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Mood, composition and processing - all there Kris.
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7677 posts
18 years
Hertfordshire,
mostly.
Bench in the fog par Kris Lockyear, on ipernity
Pentax KX, SMC Pentax 30mm f/2.8 lens, FPP Let it snow film.
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.