B/W conversion experiment
Posted 08/11/2008 - 22:58
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a dull photo will allways be a dull photo, but yeah... it's possible
to squeeze some drama out of a few shots.
edit: oh and please misunderstand me the "right" way.. dull can be very beautiful=)
to squeeze some drama out of a few shots.
edit: oh and please misunderstand me the "right" way.. dull can be very beautiful=)
Posted 09/11/2008 - 08:07
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Not for me I am afraid, like Divtag says why try and make a dull bland image into an even more boring image.
A lot of people assume any colour shot will convert - it WONT.
If we go back to te good ol' days when we shot in mono film, we attempted to shoot specifically for mono type images (well I did anyway), ie texture, light, form, shape, contrast.
So, my advice for you is to do the same even though we have digital.
To get the eye for a mono image get a red filter (you used to be able to buy mono eye viewers, cant find now) and view before you shoot to see if any of those elements are there and look at famous b&w photographers work to get inspiration for subject matter and method.
A lot of people assume any colour shot will convert - it WONT.
If we go back to te good ol' days when we shot in mono film, we attempted to shoot specifically for mono type images (well I did anyway), ie texture, light, form, shape, contrast.
So, my advice for you is to do the same even though we have digital.
To get the eye for a mono image get a red filter (you used to be able to buy mono eye viewers, cant find now) and view before you shoot to see if any of those elements are there and look at famous b&w photographers work to get inspiration for subject matter and method.
Posted 09/11/2008 - 08:30
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Here are some examples of those qualities that I mean, hope this helps:
[IMG]http://i168.photobucket.com/albums/u193/lillymermaid/newmexico003.jpg[/IMG]
[IMG]http://i168.photobucket.com/albums/u193/lillymermaid/IMGP8711_edited_2.jpg[/IMG]
[IMG]http://i168.photobucket.com/albums/u193/lillymermaid/IMGP6327_edited_1.jpg[/IMG]
[IMG]http://i168.photobucket.com/albums/u193/lillymermaid/IMGP6582.jpg[/IMG]
[IMG]http://i168.photobucket.com/albums/u193/lillymermaid/IMGP8835.jpg[/IMG]
[IMG]http://i168.photobucket.com/albums/u193/lillymermaid/IMGP6245.jpg[/IMG]
[IMG]http://i168.photobucket.com/albums/u193/lillymermaid/IMGP5304_edited_3.jpg[/IMG]
[IMG]http://i168.photobucket.com/albums/u193/lillymermaid/File0118_edited_1.jpg[/IMG]
Lilly
[IMG]http://i168.photobucket.com/albums/u193/lillymermaid/newmexico003.jpg[/IMG]
[IMG]http://i168.photobucket.com/albums/u193/lillymermaid/IMGP8711_edited_2.jpg[/IMG]
[IMG]http://i168.photobucket.com/albums/u193/lillymermaid/IMGP6327_edited_1.jpg[/IMG]
[IMG]http://i168.photobucket.com/albums/u193/lillymermaid/IMGP6582.jpg[/IMG]
[IMG]http://i168.photobucket.com/albums/u193/lillymermaid/IMGP8835.jpg[/IMG]
[IMG]http://i168.photobucket.com/albums/u193/lillymermaid/IMGP6245.jpg[/IMG]
[IMG]http://i168.photobucket.com/albums/u193/lillymermaid/IMGP5304_edited_3.jpg[/IMG]
[IMG]http://i168.photobucket.com/albums/u193/lillymermaid/File0118_edited_1.jpg[/IMG]
Lilly
Posted 09/11/2008 - 10:15
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Is the top one Taos Pueblo?
Posted 09/11/2008 - 12:31
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johnriley wrote:
How did you do the conversion?
Hi John,How did you do the conversion?
I tried a method described in The Photoshop Elements 6 Book by Scott Kelby:
1. Opened the image in PSE6
2. Created an Adjustment Layer/Levels
3. Set the foreground colour to black and created an Adjustment Layer/Gradient Map
4. Back to the Levels layer, tweaked each colour channel (R, G and B) to adjust detail and contrast
5. Flattened image, resized to 800 pixels and saved jpeg file.
This is supposed to give more control than just desaturating the original picture. But obviously it takes some training to get it right. Maybe a suitable activity now that the evenings are long and dark.
As for Lilly's images, well, they are in a totally different league. I have a long way to go.
Best regards
Terry
K20D, Optio I10, DA 18-55 1:3.5-5.6 AL II, A 1:1.7/50, D FA 1:2.8/100 Macro, Sigma 70-300 1:4-5.6 APO DG Macro, Pentax AF 360FGZ
Terry
K20D, Optio I10, DA 18-55 1:3.5-5.6 AL II, A 1:1.7/50, D FA 1:2.8/100 Macro, Sigma 70-300 1:4-5.6 APO DG Macro, Pentax AF 360FGZ
Posted 09/11/2008 - 12:39
Link
Have you tried the B/W conversion tool in PSE 6? you can tweak it about as much as you like. I have tried both the conversion tool and Scott Kelby's method. The latter takes quite some practice, the former is great for a quick conversion.
Posted 09/11/2008 - 14:34
Link
Thanks, Gwyn, will have a look into it.
Best regards
Terry
K20D, Optio I10, DA 18-55 1:3.5-5.6 AL II, A 1:1.7/50, D FA 1:2.8/100 Macro, Sigma 70-300 1:4-5.6 APO DG Macro, Pentax AF 360FGZ
Terry
K20D, Optio I10, DA 18-55 1:3.5-5.6 AL II, A 1:1.7/50, D FA 1:2.8/100 Macro, Sigma 70-300 1:4-5.6 APO DG Macro, Pentax AF 360FGZ
Posted 09/11/2008 - 16:33
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I think it needs more "bite" as it's a bit flat in terms of contrast. Maybe a bit more tweaking would pay dividends.
The composition is good.
The composition is good.
Best regards, John
Posted 09/11/2008 - 19:01
Link
terje-l wrote:
I tried a method described in The Photoshop Elements 6 Book by Scott Kelby:
1. Opened the image in PSE6
2. Created an Adjustment Layer/Levels
3. Set the foreground colour to black and created an Adjustment Layer/Gradient Map
4. Back to the Levels layer, tweaked each colour channel (R, G and B) to adjust detail and contrast
5. Flattened image, resized to 800 pixels and saved jpeg file.
This is supposed to give more control than just desaturating the original picture. But obviously it takes some training to get it right. Maybe a suitable activity now that the evenings are long and dark.
As for Lilly's images, well, they are in a totally different league. I have a long way to go.
I still think you need to get a 'right' image to start with otherwise you are on a hiding to nowhere.johnriley wrote:
How did you do the conversion?
Hi John,How did you do the conversion?
I tried a method described in The Photoshop Elements 6 Book by Scott Kelby:
1. Opened the image in PSE6
2. Created an Adjustment Layer/Levels
3. Set the foreground colour to black and created an Adjustment Layer/Gradient Map
4. Back to the Levels layer, tweaked each colour channel (R, G and B) to adjust detail and contrast
5. Flattened image, resized to 800 pixels and saved jpeg file.
This is supposed to give more control than just desaturating the original picture. But obviously it takes some training to get it right. Maybe a suitable activity now that the evenings are long and dark.
As for Lilly's images, well, they are in a totally different league. I have a long way to go.
Get a good structured image typ of the ones I have shown but in colour and to start of as I did yonks ago, just make an ajustment layer for channel mixer - make sure they add up to 100% then tweek levels till it looks good and take it from there.
There are a lot of complicated ways to go about this but trust me work on channels first the great Joshua taught me how!
Posted 09/11/2008 - 19:16
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Unfortunately - Josh has deleted the pics now, but hope you get the gist, this is how I got going...
Josh's Tips for mono
Josh's Tips for mono
Posted 10/11/2008 - 22:26
Link
You can do a lot with a B&W in PS. I hope you don't mind but I did a little 'tinkering' with your picture.

Once you've converted to B&W select part of the image say the sky with the Lasso Tool and feather lots, pull up a Levels Adjustment Layer and adjust the sliders, do the same for any other part of the image. You can also use a Curves Adjustment Layer and increase contrast on just the part of the picture selected. I added a glow to the water beyond the people, but I could only go so far with this small file.
If you shoot Raw and open as a 16bit file its amazing the detail you can extract.

Once you've converted to B&W select part of the image say the sky with the Lasso Tool and feather lots, pull up a Levels Adjustment Layer and adjust the sliders, do the same for any other part of the image. You can also use a Curves Adjustment Layer and increase contrast on just the part of the picture selected. I added a glow to the water beyond the people, but I could only go so far with this small file.
If you shoot Raw and open as a 16bit file its amazing the detail you can extract.
Chris
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1384 posts
18 years
Horten,
Norway
[IMG]http://i233.photobucket.com/albums/ee91/terje-l/cloudy_edited-2.jpg[/IMG]
Question is, does it work?
Terry
K20D, Optio I10, DA 18-55 1:3.5-5.6 AL II, A 1:1.7/50, D FA 1:2.8/100 Macro, Sigma 70-300 1:4-5.6 APO DG Macro, Pentax AF 360FGZ