autumn macros
Posted 14/10/2008 - 21:22
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Love the colours in the second shot.
Getting there! Thanks to you guys
Pentax K3ii, Pentax K10d, Kit lens ( 18-55mm ), 50mm f1.7 lens, Tamron 70-300mm lens, Prinzflex 70-162 manual lens, Various old flashes.
Pentax K3ii, Pentax K10d, Kit lens ( 18-55mm ), 50mm f1.7 lens, Tamron 70-300mm lens, Prinzflex 70-162 manual lens, Various old flashes.
Posted 15/10/2008 - 02:09
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Father Ted and Giving Tree,
Colour is what the season does best, isn't it!
Yes, I think a square-ish crop would work quite nicely.
Colour is what the season does best, isn't it!
Yes, I think a square-ish crop would work quite nicely.
Keith
K100D Super, DA 18-55, M 50 1.4, M 100 4 Macro
"The present is the object of vision, and what I see before me at any given second is a full field of color-patches scattered just so. The configuration will never be repeated." ~ Annie Dillard
K100D Super, DA 18-55, M 50 1.4, M 100 4 Macro
"The present is the object of vision, and what I see before me at any given second is a full field of color-patches scattered just so. The configuration will never be repeated." ~ Annie Dillard
Posted 15/10/2008 - 07:15
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Lovely colours on both.
Composition wise I like #1 best. Colour wise the second.
Perhpas I would have liked a wider DOF on the second - making the entire red leaf sharp.
Overall - really good shots.
Composition wise I like #1 best. Colour wise the second.
Perhpas I would have liked a wider DOF on the second - making the entire red leaf sharp.
Overall - really good shots.
Posted 15/10/2008 - 23:28
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Thanks Nimitz,
Yes, I'm going to try more shots like both of these, and try to achieve a great DOF as you suggest. - a trade-off this time on a windy day and no tripod!
Yes, I'm going to try more shots like both of these, and try to achieve a great DOF as you suggest. - a trade-off this time on a windy day and no tripod!
Keith
K100D Super, DA 18-55, M 50 1.4, M 100 4 Macro
"The present is the object of vision, and what I see before me at any given second is a full field of color-patches scattered just so. The configuration will never be repeated." ~ Annie Dillard
K100D Super, DA 18-55, M 50 1.4, M 100 4 Macro
"The present is the object of vision, and what I see before me at any given second is a full field of color-patches scattered just so. The configuration will never be repeated." ~ Annie Dillard
Posted 16/10/2008 - 00:02
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Crop it square as has been suggested and No 1 is a real winner.
Cheers, Kris.
Cheers, Kris.
Kris Lockyear
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
Posted 17/10/2008 - 20:56
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Thanks Kris!
Cheers!
Cheers!
Keith
K100D Super, DA 18-55, M 50 1.4, M 100 4 Macro
"The present is the object of vision, and what I see before me at any given second is a full field of color-patches scattered just so. The configuration will never be repeated." ~ Annie Dillard
K100D Super, DA 18-55, M 50 1.4, M 100 4 Macro
"The present is the object of vision, and what I see before me at any given second is a full field of color-patches scattered just so. The configuration will never be repeated." ~ Annie Dillard
Posted 17/10/2008 - 21:01
Link
womble wrote:
Crop it square as has been suggested and No 1 is a real winner.
Cheers, Kris.
Ditto...
Crop it square as has been suggested and No 1 is a real winner.
Cheers, Kris.
Tel,
Posted 22/10/2008 - 20:34
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Love #1. And I sure wish I could handhold a macro like that.
Posted 22/10/2008 - 21:21
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greyhoundman wrote:
Love #1. And I sure wish I could handhold a macro like that.
You have to learn to do without oxygen...
Love #1. And I sure wish I could handhold a macro like that.
Kris Lockyear
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
Posted 23/10/2008 - 03:48
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womble wrote:
And take LOTS of shots, most of which end up in the trash can, especially on a breezy day!
greyhoundman wrote:
Love #1. And I sure wish I could handhold a macro like that.
You have to learn to do without oxygen...Love #1. And I sure wish I could handhold a macro like that.
Keith
K100D Super, DA 18-55, M 50 1.4, M 100 4 Macro
"The present is the object of vision, and what I see before me at any given second is a full field of color-patches scattered just so. The configuration will never be repeated." ~ Annie Dillard
K100D Super, DA 18-55, M 50 1.4, M 100 4 Macro
"The present is the object of vision, and what I see before me at any given second is a full field of color-patches scattered just so. The configuration will never be repeated." ~ Annie Dillard
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124 posts
18 years
Nova Scotia,
Canada
Finally some time to get into the woods to make some photos! Your feedback on these first autumn attempts welcome!
Both taken handheld with the M100 4 macro. (I should have had a tripod!)
Thanks!
K100D Super, DA 18-55, M 50 1.4, M 100 4 Macro
"The present is the object of vision, and what I see before me at any given second is a full field of color-patches scattered just so. The configuration will never be repeated." ~ Annie Dillard