autofocus
The MZ5 and MZ3 models firmly returned to the path.
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
/Ian
I have an SFX. Bought it new in 1989 with a 50mm lens. I have always thought it an ugly duckling and have never liked the styling of the F series lenses much either, but that said it have been a very reliable camera over the years and I have had some great results. They cost next to nothing on ebay these days too.
/Ian
G
"It's not beautiful, but it's probably the best made of the AF cameras. Nice and simple, too. Nothing to get in the way of taking pictures."
I have one of George's SFX bodies with an SMC Pentax-F 1:3.5-4.5 35mm-135mm zoom on it, and couldn't agree more. Robust, reliable, hassle free, not elegant, but fits my hand beautifully.
Heft a combo like this for a day of two, and you're prepared for any Pentax DSLR.
SP, SPII, SPF, PZ-10, P30, SFX, K110D, istDS, Optio 60, Z-10, H90, RZ10, I-10, f3.5 28mm, f1.8 55mm, f1.4 50mm, f3.5 135mm, f2.5 135mm, f4 50mm Macro, f4.5 80-200 F, f4 35-70, f3.5 28-80, f3.5 35-135, f3.5 18-55, f1.8 31mm Ltd., two Auto 110's, Auto 110 lenses and filters, tubes, bellows, Manfrottos and a sore back.
My favourite AF film camera though has to be my MZ-7. hardly larger than an ME-Super with pattern metering and AF. Want to get from P to Av quickly? no problem, just grab the aperture ring (remember those?) and turn.
It also has the distinction of being one of very few cameras which meters correctly in open aperture mode with every K mount lens ever made, from K series to DA series (though of course you'll get some vignetting with most DA lenses).
but it does help
My favourite however has to be the MZ-S. The only drawback with this body is that you can't use lenses which have no aperture ring (FA-J etc). Other than that, it's both rugged and reliable. Sadly, mine sees little use nowadays. Decent film processing in Spain requires a mortgage and I've been totally digital now for a couple of years.
I felt that after the Super A series the camera drifted from the Pentax philosophy.
The MZ5 and MZ3 models firmly returned to the path.
My introduction to Pentax was with the MZ7 after many years with the OM system I wanted autofocus so chose Pentax, the MZ7 was a fantastic little bit of kit but my only gripe was its lack of DOF preview, so I bought a second hand MZ5n, my shiny new MZ7 spent most of its life as a back up while the 5n took a lot of hammer till it finally died a couple of years ago, I think I put more rolls of film through that little beauty than all my other cameras put together.
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7662 posts
17 years
Hertfordshire,
mostly.
Perhaps this should be a poll?
Cheers, Kris.
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.