An Elizabethan Masterpiece
Posted 15/09/2013 - 19:12
Link
I don't think the light was on your side but you still have some good images. The blue door and the B&W stand out for me
Barrie - Too Old To Die Young
https://pentaxphotogallery.com/artists/barrieforbes
https://www.flickr.com/photos/189482630@N03/
https://pentaxphotogallery.com/artists/barrieforbes
https://www.flickr.com/photos/189482630@N03/
Posted 15/09/2013 - 19:45
Link
A very nice set of images David. I have not been to Hardwick Hall, but after seeing these images, I think I will take a look.
Fletcher8.
Posted 15/09/2013 - 20:09
Link
A fine collection of shots from this remarkable building. I've been once to Hardwick Hall but that was a few years ago and I think it's time I made a return trip.
David
PPG: http://www.pentaxphotogallery.com/artists/davidtrout
David
PPG: http://www.pentaxphotogallery.com/artists/davidtrout
Posted 15/09/2013 - 20:14
Link
Fine looking building. Funny how, without reading anything, I was drawn to the M28 shots. Blue door image for me.
Posted 15/09/2013 - 20:30
Link
Great set David. I particularly like 1+2. Would like to see a wide diagonal shot from the front left corner.
Posted 15/09/2013 - 21:04
Link
Rob2402 wrote:
Great set David. I particularly like 1+2. Would like to see a wide diagonal shot from the front left corner.
Hi Rob, thank you for your comments; is this the type of shot you had in mind?Great set David. I particularly like 1+2. Would like to see a wide diagonal shot from the front left corner.
Pentax-M 28 mm F3.5

Thanks also to everyone else that has take the trouble to look and comment, it is very much appreciated as this is how I learn.
cardiff_gareth wrote:
What a great place! I love the symmetry of it all
No.2 - any reason why you didn't follow the symmetry and position the benches in exact opposite places ?
Hi Gareth, the reason for this was two-fold:bforbes wrote:
I don't think the light was on your side
I don't know Barrie, it looks overcast so would of been soft even lighting, perfect for portraits!I don't think the light was on your side
What a great place! I love the symmetry of it all
No.2 - any reason why you didn't follow the symmetry and position the benches in exact opposite places ?
1. I wanted the metal flowers highlighted against the dark hedge
2. The focal length of the lens was a bit restrictive - I couldn't get the right angle to position it centrally and still get the flowers where I wanted them, so this off-centre composition was what I chose
Thanks for the question Gareth and you were right about the light - it was a little overcast with a few breaks and this made for soft light - much better than harsh shadows.
Regards
David
Posted 15/09/2013 - 21:20
Link
Blythman wrote:
Put together a very nice set there David. On #2 there seems to be a bit of purple. Is that natural or a colour cast off the grad?
Hi AlanPut together a very nice set there David. On #2 there seems to be a bit of purple. Is that natural or a colour cast off the grad?
It's a tendency of the Pentax-M 28mm F3.5 lens to show strong purple tones and this is what you're seeing here. It probably looks more pronounced as the images are side by side with those from the 12-24 which does not have these tendencies. It's quite difficult to get rid of this, so I tend not to try and I don't mind it too much. I like the differences that using different glass produces and I usually leave them in my images.
Regards
David
Posted 16/09/2013 - 08:53
Link
Superb set David, especially like no2 but all are good. I must use my M28 more. However i would really like a 10-20 or 12-24. Look a lot fun.
Add Comment
To leave a comment - Log in to Pentax User or create a new account.


4934 posts
15 years
Sheffield,
England
D-Xenon 12-24, ND Grad
Pentax-M 28mm F3.5 (my favourite lens?), ND Grad
D-Xenon 12-24, ND Grad, Haida 10 Stopper
Pentax-M 28mm F3.5
Samsung D-Xenon 12-24, Hoya Pro1 Polariser
Samsung D-Xenon 12-24, Hoya Pro1 Polariser
Samsung D-Xenon 12-24
Samsung D-Xenon 12-24, ND Grad
Samsung D-Xenon 12-24, ND Grad
Samsung D-Xenon 12-24, ND Grad
Regards
David
PS: Sincere apologies to Algi if there are any 'unacceptable levels of moire' in these images of architecture produced by the K-5iis . Apparently this camera cannot avoid such artefacts and should not be used for architectural shots? The truth is, if any are present here it is due to the compression required to upload the images to this website
Nicola's Apartments, Kassiopi, Corfu
Some cameras, some lenses, some bits 'n' bobs