Across Riddlesdown, at 14mm
Posted 10/04/2014 - 09:40
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Yes, I see, but I was including the limitations of the processing possibilities as well ... HDR frees us from many of these also.
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Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
Posted 10/04/2014 - 09:47
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Yes. But HDR, and PP shadow recovery, and highlight reconstruction and a grad filter are, in the present context, all just tools for compensating for the sensor's lack of DR. Each have their strengths and weakness - but the fundamental limitation is the sensor and if it's DR is sufficient none of the compensatory techniques are necessary.
Posted 10/04/2014 - 10:57
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The "darkest" DNG did encompass pretty much the whole dynamic range of the scene. The sensor's dynamic range is (close to) adequate, providing you expose to just avoid blowing highlights. If a conventionally "correct" exposure had been used, the highlights would have been blown - as in the "darker" DNG.
The processing that was applied to the "darkest" DNG was largely to correct midtones. Lightroom did have to raise shadows substantially to restore detail but the increase in resulting noise isn't at all obvious visually.
Andrew
The processing that was applied to the "darkest" DNG was largely to correct midtones. Lightroom did have to raise shadows substantially to restore detail but the increase in resulting noise isn't at all obvious visually.
Andrew
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718 posts
14 years
The Chilterns
That is the traditional thinking - that is being challenged here really, and it has been my suspicion for a while that we may be accepting a rendition of such scenes that is in fact constrained by the technology of single shots and the processing,