a philosophical question?
Posted 20/05/2009 - 15:16
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Stills for me
Have done the occasional bit of video - but the pain and time of post production just completely puts me off! I have to have my arm twisted to do anything video
So, stills definitely - I much prefer catching a "moment" in time.
Though the new technologies of mixed SLR/video, plus a new iMac might swing me more towards video...
Matt
Have done the occasional bit of video - but the pain and time of post production just completely puts me off! I have to have my arm twisted to do anything video
So, stills definitely - I much prefer catching a "moment" in time.
Though the new technologies of mixed SLR/video, plus a new iMac might swing me more towards video...
Matt
http://www.mattmatic.co.uk
(For gallery, tips and links)
(For gallery, tips and links)
Posted 20/05/2009 - 15:35
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I do both
The way I see it, we as photographers all get the notion of capturing a perfect moment, even in the midst of kaos.... a still image can burn itself into your psyche and affect you long after the moment is gone...
Video captures more... a photo of a person holding a mic tell you they were speaking... but the video tells you what they said. Sometimes what was said is more important.
So a Combination of video to record an event, and stills to bring forth and emphasize the important moments, brings you the best of both.
The age of Desktop Video is upon us. Just as the digital darkroom changed the way photographers did things, the ability to shoot, edit and distribute high quality video is changing things for video and motion pictures....
The lines between photo and video are disappearing, and the new breed of top pros are gonna need to be good at both.
The way I see it, we as photographers all get the notion of capturing a perfect moment, even in the midst of kaos.... a still image can burn itself into your psyche and affect you long after the moment is gone...
Video captures more... a photo of a person holding a mic tell you they were speaking... but the video tells you what they said. Sometimes what was said is more important.
So a Combination of video to record an event, and stills to bring forth and emphasize the important moments, brings you the best of both.
The age of Desktop Video is upon us. Just as the digital darkroom changed the way photographers did things, the ability to shoot, edit and distribute high quality video is changing things for video and motion pictures....
The lines between photo and video are disappearing, and the new breed of top pros are gonna need to be good at both.
Fired many shots. Didn't kill anything.
Posted 20/05/2009 - 16:53
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I agree with Matt. The still picture is imho the more satisfying mode.
And, as Matt says, the post production of the video is just a bit too much for me. After all, to make the video worth watching, you will have to put a lot of work into it.
And, as Matt says, the post production of the video is just a bit too much for me. After all, to make the video worth watching, you will have to put a lot of work into it.
Best regards
Terry
K20D, Optio I10, DA 18-55 1:3.5-5.6 AL II, A 1:1.7/50, D FA 1:2.8/100 Macro, Sigma 70-300 1:4-5.6 APO DG Macro, Pentax AF 360FGZ
Terry
K20D, Optio I10, DA 18-55 1:3.5-5.6 AL II, A 1:1.7/50, D FA 1:2.8/100 Macro, Sigma 70-300 1:4-5.6 APO DG Macro, Pentax AF 360FGZ
Posted 20/05/2009 - 23:55
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We shoot video on compact cameras at parties, but not seriously. I did try cine years ago, but unless you want to make movies then it seems uninteresting to play at it.
Best regards, John
Posted 21/05/2009 - 10:03
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My hat goes off to Don who manages to shoot video and stills on the same job! I can't do even by changing hats, its a complete head change for me.
Making films is such a demanding business that there never seems enough time to do stills properly. On two TV series I directed I was commissioned to take the stills for the accompanying books. I set out to do the stills whilst on location filming but in the end I gave up and re-visited all the locations. I should say that the stills were quite tricky having to use a shift lens.
Ken
Making films is such a demanding business that there never seems enough time to do stills properly. On two TV series I directed I was commissioned to take the stills for the accompanying books. I set out to do the stills whilst on location filming but in the end I gave up and re-visited all the locations. I should say that the stills were quite tricky having to use a shift lens.
Ken
Ken
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
Posted 21/05/2009 - 12:29
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There are times when the two complement each other. I went to New Zealand a few years back, and wanted a small, lightweight, 'all-in-one' camera for the trip, so I bought a C**** S3 IS. It was absolutely ideal for the purpose I bought it for.
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103 posts
17 years
Boise,
Idaho USA
I guess my basic question is: do you use both video and still cameras and if so which gives you the most pleasure or satisfaction?