Little boy lost
by autumnlight
Taken in an old Quarry in Tintwistle, Derbyshire, which is now used for rock climbing and a beautiful place to have a short ramble
Uploaded18/05/2014 - 23:24
CategorySpecialist / Abstract
Views/Likes95/0
Posted 18/05/2014 - 23:58
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Wow. I love the colouring on this image, many might say that the colours are odd, which they are, but they are intentionally odd and they work beautifully together. Clever use of dark and light here to lead the eye.
Regards
David
Regards
David
Posted 19/05/2014 - 04:12
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This rembrandt palleted image is unique in many ways. My dinner was reheated twice as I disassembled the intrinsic values of this museum quality example of the photographers skill. best exemplified by a hatted Andrew Wyeth figure walking a worn path. Worth a bunch of reheated dinners. REALLY superb. THANKS , tg
"It's not what you look at that's important, it's what you see" - Thoreau
Quote:
Posted 19/05/2014 - 10:09
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'Let me wander, not unseen, by hedgerow elms on hillocks green.'......John Milton, 17th century English poet.
Milton sums up the character of this image far more eloquently than I ever could.
David
PPG: http://www.pentaxphotogallery.com/artists/davidtrout
Milton sums up the character of this image far more eloquently than I ever could.
David
PPG: http://www.pentaxphotogallery.com/artists/davidtrout
Posted 19/05/2014 - 11:03
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Instantly recognisable as one of your images Maria. Once again I was attracted by the colour palette. I would gladly hang a large print of this image on my wall.
Regards - Steve
Regards - Steve
Posted 19/05/2014 - 21:46
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Another from your magical world, Maria.
This one especially intriguing.
This one especially intriguing.
Mac from Montreal
SP, SPII, SPF, PZ-10, P30, SFX, K110D, istDS, Optio 60, Z-10, H90, RZ10, I-10, f3.5 28mm, f1.8 55mm, f1.4 50mm, f3.5 135mm, f2.5 135mm, f4 50mm Macro, f4.5 80-200 F, f4 35-70, f3.5 28-80, f3.5 35-135, f3.5 18-55, f1.8 31mm Ltd., two Auto 110's, Auto 110 lenses and filters, tubes, bellows, Manfrottos and a sore back.
SP, SPII, SPF, PZ-10, P30, SFX, K110D, istDS, Optio 60, Z-10, H90, RZ10, I-10, f3.5 28mm, f1.8 55mm, f1.4 50mm, f3.5 135mm, f2.5 135mm, f4 50mm Macro, f4.5 80-200 F, f4 35-70, f3.5 28-80, f3.5 35-135, f3.5 18-55, f1.8 31mm Ltd., two Auto 110's, Auto 110 lenses and filters, tubes, bellows, Manfrottos and a sore back.
Posted 20/05/2014 - 00:18
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Thank you all for your kind and generous comments.
Posted 20/05/2014 - 04:29
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Your work is stunning. That's all I want to say.
"The Latent Image that exists before development is a truly mystical and exciting entity and some subsequent individual photographs can make the spine tingle."
Good Fortune:
Gray Summers. Website www.graysummers.com
Good Fortune:
Gray Summers. Website www.graysummers.com
Posted 20/05/2014 - 15:19
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Great imagee. Really like the painterly feel to the vegetation, something special from nothing.
Posted 21/05/2014 - 15:03
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graysummers wrote:
Your work is stunning. That's all I want to say.
Your work is stunning. That's all I want to say.
DrOrloff wrote:
Great imagee. Really like the painterly feel to the vegetation, something special from nothing.
Great imagee. Really like the painterly feel to the vegetation, something special from nothing.
Thank you so much Gray and DrOrloff
Posted 22/05/2014 - 09:32
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I obviously don't visit the Gallery often enough.
I have just commented for the first time on one of your pictures and thought I would look for others.
This is another amazing image. I could not critique this as a photo because it's an old master oil painting for all intents.
The sky colour is wrong! I dunno what would fix it but to me it's like someone just vandalised a picture in a museum. I don't even know what the colour should be but hey...just sayin'.
Awesome work none the less. ...you're now one more person to add to the list of the remarkable.
Shame it makes me want to give up and go home
I have just commented for the first time on one of your pictures and thought I would look for others.
This is another amazing image. I could not critique this as a photo because it's an old master oil painting for all intents.
The sky colour is wrong! I dunno what would fix it but to me it's like someone just vandalised a picture in a museum. I don't even know what the colour should be but hey...just sayin'.
Awesome work none the less. ...you're now one more person to add to the list of the remarkable.
Shame it makes me want to give up and go home
Steve
Sometimes I'm serious and sometimes not, but I consider sarcasm an artform. Which is it today?
Sometimes I'm serious and sometimes not, but I consider sarcasm an artform. Which is it today?
Posted 23/05/2014 - 13:55
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Gravelrash wrote:
I obviously don't visit the Gallery often enough.
I have just commented for the first time on one of your pictures and thought I would look for others.
This is another amazing image. I could not critique this as a photo because it's an old master oil painting for all intents.
The sky colour is wrong! I dunno what would fix it but to me it's like someone just vandalised a picture in a museum. I don't even know what the colour should be but hey...just sayin'.
Awesome work none the less. ...you're now one more person to add to the list of the remarkable.
Shame it makes me want to give up and go home
I obviously don't visit the Gallery often enough.
I have just commented for the first time on one of your pictures and thought I would look for others.
This is another amazing image. I could not critique this as a photo because it's an old master oil painting for all intents.
The sky colour is wrong! I dunno what would fix it but to me it's like someone just vandalised a picture in a museum. I don't even know what the colour should be but hey...just sayin'.
Awesome work none the less. ...you're now one more person to add to the list of the remarkable.
Shame it makes me want to give up and go home
Have to agree about the sky Steve, it was very blue, the post processing achieved the results i wanted in the bottom half but i couldn't get the sky right without converting to b/w, why would you want to give up and go home?
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