Black and White Watercoloury Splogdginess.

I remember having choice. Here in front was a view to die for. I have slow 100 asa, 400 asa, a tripod for stability, loads of choice in lens [well 4 actually] and 3 bodies [LX, MX and ME]. So you stand there with the old Billy-ingham on the grass in front of you full of kit that weighs a ton [it had the 645 too] deciding if you want to see each blade of grass or you want to create an image of subjectivity. Guess what I chose

LX, 50mm, hand held, double pushed 400 asa film, and a reckless developing in the tank procedure with old Jessops [I love] not Ilford [I love even more], an old Kodak Bromide paper and this combination has offered me up a watercoloury splodge of black and white latent imagery contentment.

Lovely stuff....matches my current state of splodgenesslike mind. Too many long shift patterns.