Williton Warning
I liked the bold red of the sign that was echoed by the bufferbeam of the locomotive.
Best wishes,
Andrew
"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference. All of them can record what you are seeing. But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050 http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05
It was the attractive colour of the sign that drew me to it.
As Andrew will probably know, I was stood in a bit of a tight spot on the platform ramp (with the signalbox) on my right, so that feeling of compression plus the vertical nature of the sign suggested a portrait orientation.
I was surprised no-one suggested cloning out the power lines though!
Peter
Pentax K5
Pentax DA 18-55 Mk1, 50-200 (Samsung), 16-45, 55-300 Mk1, 35 f/2.4
Pentax MZ6 + FA28-90, FA50 f/1.4, M 50 f/1.7
Tamron 80-210mm & 28mm
I was surprised no-one suggested cloning out the power lines though!
You know, Peter, telegraph lines are such a feature of preserved railways they don't bother me the way they do in other shots.
Best wishes,
Andrew
"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference. All of them can record what you are seeing. But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050 http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05

Flickr
Nicola's Apartments, Kassiopi, Corfu
Some cameras, some lenses, some bits 'n' bobs
Peter
Pentax K5
Pentax DA 18-55 Mk1, 50-200 (Samsung), 16-45, 55-300 Mk1, 35 f/2.4
Pentax MZ6 + FA28-90, FA50 f/1.4, M 50 f/1.7
Tamron 80-210mm & 28mm
David.
PPG: http://www.pentaxphotogallery.com/artists/davidtrout
johnwhit
15 yearsMember
Rainhill
John
PPG link
In LBA hiatus.