Lane to?
by autumnlight
SP, SPII, SPF, PZ-10, P30, SFX, K110D, istDS, Optio 60, Z-10, H90, RZ10, I-10, f3.5 28mm, f1.8 55mm, f1.4 50mm, f3.5 135mm, f2.5 135mm, f4 50mm Macro, f4.5 80-200 F, f4 35-70, f3.5 28-80, f3.5 35-135, f3.5 18-55, f1.8 31mm Ltd., two Auto 110's, Auto 110 lenses and filters, tubes, bellows, Manfrottos and a sore back.
I love this, Maria - that background is divine !
X2
Regards
David
Good Fortune:
Gray Summers. Website www.graysummers.com
Another great shot of motion blur. Love the contrast of sharp and blur. Two worlds. It's like the foreground tree is awaiting to be accepted into an ethereal land. Divine.
Gray, sorry this isn't true motion blur but an added effect
Another great shot of motion blur. Love the contrast of sharp and blur. Two worlds. It's like the foreground tree is awaiting to be accepted into an ethereal land. Divine.
Gray, sorry this isn't true motion blur but an added effect
It doesn't matter how it was achieved its all part of the process. Its beautiful.
Best wishes
Ian
Another great shot of motion blur. Love the contrast of sharp and blur. Two worlds. It's like the foreground tree is awaiting to be accepted into an ethereal land. Divine.
Gray, sorry this isn't true motion blur but an added effect
It doesn't matter how it was achieved its all part of the process. Its beautiful.
Best wishes
Ian
Thanks so much Ian
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3447 posts
14 years
Somerset
Andrew
"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference. All of them can record what you are seeing. But, you have to SEE."
Ernst Hass
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