Gloucester cathedral main entrance.

by davidwozhere

This glass vestibule could be considered totally out of place in a religious building that has enjoyed uninterrupted worship for over 900 years. On the other hand it is a masterpiece of symbolism that is, in fact, perfectly placed. All this is my own interpretation. You may accept it or reject it as you wish.

From an atheistic extreme its modernity suggests "beam me up Scotty", or even a time machine to project us across the centuries as we enter. From a God fearing perspective however we find St. Peter's keys to Heaven and Hell before us as we pass the door between the mundane outer world and into the inner, spiritual world. It also evokes the Roman god of doorways - Janus - with two faces (one looking inwards and one looking outwards) who was the god of coming and going and Lord of Triple Time (past, present, future). Gloucester was a Roman city originally! But Janus was more than that: as keeper of the doorway he locked out the old and unlocked the new - it's where we got the word 'janitor' from and why January signifies a new year.

Going even deeper, one key is silver and unlocks the 'lesser mysteries' and one is gold, unlocking the 'greater mysteries' of antiquity. The two keys were appropriated from Janus by the early church and have been part of the various Papal armorial devices for centuries. Surprise - Gloucester Cathedral is actually, at its heart, a Roman Catholic monastery that escaped destruction by Henry VIII because it contains the tomb and remains of a King (Edward II). He simply 'Anglicised' it.

Recall the aim of the monastic life - to renounce earthly matters and devote one's self to God, who is eternal. Look at the shape of the glazed vestibule. Like a traditional font, similarly placed inside any church doorway, it is octagonal - midway between being a square (the traditional symbol of earth and matter) and a circle, symbolising eternity because it has no beginning nor end. Finally, it is quite transparent and, being inert matter, it is non judgemental and allows all to enter God's house and to take from the experience as much or as little as they wish.

And finally, finally, there is one more piece of modernist artwork, also made of glass that you encounter as you proceed - a beautiful 3D expression of a scallop shell from which is being poured cleansing, baptismal water. (I am standing next to it).
Liked by  pauljay Flan
Uploaded06/03/2023 - 17:33
CategoryArchitecture
Shutter Speed1/25
Aperturef/8.0
ISO1600
Focal Length50mm

GIULIO57
Posted 06/03/2023 - 18:54 Link
At First glance It reminds me of the entrance of a High class hotel. Thank for your Deep explanation. Useful to understand overall Cathedral and its symbols.
PPG
Posted 06/03/2023 - 22:31 Link
Thanks for your analysis, loads of history and symbolism there!

Interesting that those two 'keyed' doors appear to be bolted shut at the bottom and the actual in use entrance a exit doors are to the right and left respectively. More symbolism perhaps, or perhaps not?

Mike
davidwozhere
Posted 07/03/2023 - 00:50 Link
Well spotted Mike.
Both the *istDS and the K5 are incurably addicted to old glass

My page on Photocrowd
Flan
Posted 07/03/2023 - 15:38 Link
I like the idea of incorporating modern features in old architecture, in my view and in the right hands, it enhances and lends more to the skills of people from times past.
Enjoyed the brief documentary DavidWoz and unlocking the reasoning behind its commissioning . Top marks
pauljay
Posted 07/03/2023 - 19:11 Link
And on the other side of the cathedral is a monument to the Bishop John Hooper to whom, it has been said down the centuries, I am related although my own research suggests that his family line terminated when his two children died of the plague, still in their teens. The Bishop was burned at the stake on February 9th, 1555. His crime? Being a Protestant! Related or not, he remains my hero!
Paul.

Photography is not a sport. It has no rules. Everything must be dared and tried! (Bill Brandt)
PPG

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