PentaxUser competitions
Posted 01/08/2012 - 13:34
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I wonder whether Walkeja is having us on a bit here. Playing devils advocate perhaps?
I have a friend who reckons that Post Processing on a computer is cheating- he takes all of his shots in AUTO and has his jpegs printed by his local London Camera Exchange!
When we both took shots of the same scene his sky was blown out white and mine full of fluffy grey clouds- he couldnt understand how. When I told him it was just a more controlled exposure and a tweak of exp comp, followed by a tweak in Lightroom he said that it was cheating!
I felt like Blackadder to his Baldrick
I have a friend who reckons that Post Processing on a computer is cheating- he takes all of his shots in AUTO and has his jpegs printed by his local London Camera Exchange!
When we both took shots of the same scene his sky was blown out white and mine full of fluffy grey clouds- he couldnt understand how. When I told him it was just a more controlled exposure and a tweak of exp comp, followed by a tweak in Lightroom he said that it was cheating!
I felt like Blackadder to his Baldrick
Posted 01/08/2012 - 13:46
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The original meaning of the word Photography isn't strictly true, even with film we didn't "draw with light" we simply allowed the light to fall onto a light sensitive emulsion, we do exactly the same with a digital sensor.
How much manipulation is done to either is a matter of personal choice, as JR says in the days of the darkroom images were still manipulated, even incorporating elements from several images and combining them into one Today it's just a lot easier to do in photoshop etc.
Is it unfair that someone should strive to get the image right in camera only to be beaten in a competition by a heavily manipulated image? well that did apply to images shot on film too, even transparencies could be manipulated by sandwiching two or more slides together.
It is extremely annoying though, I've seen otherwise rather mundane images win competitions simply with the application of an artistic filter, when digital photography first took off someone coined the acronym GIGA garbage in garbage out, which in essence is no longer true.
How much manipulation is done to either is a matter of personal choice, as JR says in the days of the darkroom images were still manipulated, even incorporating elements from several images and combining them into one Today it's just a lot easier to do in photoshop etc.
Is it unfair that someone should strive to get the image right in camera only to be beaten in a competition by a heavily manipulated image? well that did apply to images shot on film too, even transparencies could be manipulated by sandwiching two or more slides together.
It is extremely annoying though, I've seen otherwise rather mundane images win competitions simply with the application of an artistic filter, when digital photography first took off someone coined the acronym GIGA garbage in garbage out, which in essence is no longer true.
Posted 01/08/2012 - 13:52
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Walkeja, whether English, Russian or 'Pekingnese'is, after all entitled to his own opinion. Exactly as we all are. His comments are certainly not extreme. Possibly 'enhanced' shall we say by some of the previous comments.
We, again all of us are free to either: -
1. Take and use the image straight out of the camera, or
2. Digitally alter, enhance/whatever through any programme via the computer.
We, again all of us are free to either: -
1. Take and use the image straight out of the camera, or
2. Digitally alter, enhance/whatever through any programme via the computer.
K5's (2)both gripped, K10d gripped, Pentax 28-90 f3.5, Sigma 18-250mm, Sigma 150-500mm. Sigma 105mm f/2.8 EX DG Macro, Sigma 10-20 f.4-5.6.EX DC, Hoya 135 f2.8, Take on 28mm f2.8 Pentax AF360 flash, 2 fill in slaves. 30 metre remote release, Rt angle viewfinder, Giotto NOT 3261B Tripod with Manfrotto 808Rd4 ball head, Manfroto 4861RC2 monopoly, shoulder stock, various filters etc, Panasonic SET HBS HD Video cam, Tamrac Explorer 8x backpack and a sore back.....
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Photography is an index for measuring futility and pride.......
Paul
:wink
http://s743.photobucket.com/home/pg20_photos/index https://www.flickr.com/photos/pg20
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Photography is an index for measuring futility and pride.......
Paul
:wink
http://s743.photobucket.com/home/pg20_photos/index https://www.flickr.com/photos/pg20
Posted 01/08/2012 - 13:59
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I wonder if using colour is cheating? After all light isn't really coloured - our eyes just interpret it that way!
Posted 01/08/2012 - 14:04
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I had a friend who was once outraged that I could crop images in the darkroom. He said it wasn't fair on "the rest of us" but then , he did have the choice to set up a darkroom as well.
However, before I had a darkroom I ordered a print larger than I wanted and then cut it to suit. Was that unfair too?
However, before I had a darkroom I ordered a print larger than I wanted and then cut it to suit. Was that unfair too?
Best regards, John
Posted 01/08/2012 - 14:08
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Colour is simply light made up of differing wavelengths and frequencies. The 'Visible' spectrum, as we see it consists of the old adage'- Richard Of York Gave Battle In Vain: -
Red, Orange, Yellow, Green, Blue Indigo and Violet.
Light is basically just a form of Energy.
Red, Orange, Yellow, Green, Blue Indigo and Violet.
Light is basically just a form of Energy.
K5's (2)both gripped, K10d gripped, Pentax 28-90 f3.5, Sigma 18-250mm, Sigma 150-500mm. Sigma 105mm f/2.8 EX DG Macro, Sigma 10-20 f.4-5.6.EX DC, Hoya 135 f2.8, Take on 28mm f2.8 Pentax AF360 flash, 2 fill in slaves. 30 metre remote release, Rt angle viewfinder, Giotto NOT 3261B Tripod with Manfrotto 808Rd4 ball head, Manfroto 4861RC2 monopoly, shoulder stock, various filters etc, Panasonic SET HBS HD Video cam, Tamrac Explorer 8x backpack and a sore back.....
-------------------------------------------------------
Photography is an index for measuring futility and pride.......
Paul
:wink
http://s743.photobucket.com/home/pg20_photos/index https://www.flickr.com/photos/pg20
-------------------------------------------------------
Photography is an index for measuring futility and pride.......
Paul
:wink
http://s743.photobucket.com/home/pg20_photos/index https://www.flickr.com/photos/pg20
Posted 01/08/2012 - 14:12
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What I should also have said is that 'light is just one form of energy that we can actually see that is made up from photons'Therefore colour is actually light, simply in various forms that we see/perceive.
We are all surrounded by electromagnetic waves of energy of which colour is just a small part.
We are all surrounded by electromagnetic waves of energy of which colour is just a small part.
K5's (2)both gripped, K10d gripped, Pentax 28-90 f3.5, Sigma 18-250mm, Sigma 150-500mm. Sigma 105mm f/2.8 EX DG Macro, Sigma 10-20 f.4-5.6.EX DC, Hoya 135 f2.8, Take on 28mm f2.8 Pentax AF360 flash, 2 fill in slaves. 30 metre remote release, Rt angle viewfinder, Giotto NOT 3261B Tripod with Manfrotto 808Rd4 ball head, Manfroto 4861RC2 monopoly, shoulder stock, various filters etc, Panasonic SET HBS HD Video cam, Tamrac Explorer 8x backpack and a sore back.....
-------------------------------------------------------
Photography is an index for measuring futility and pride.......
Paul
:wink
http://s743.photobucket.com/home/pg20_photos/index https://www.flickr.com/photos/pg20
-------------------------------------------------------
Photography is an index for measuring futility and pride.......
Paul
:wink
http://s743.photobucket.com/home/pg20_photos/index https://www.flickr.com/photos/pg20
Posted 01/08/2012 - 16:59
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And what we see is then interpreted by our mind, shaped by our knowledge and experiences to produce an image. So the final manipulation happens in our subconscious.
No photograph is ever a true representation of anything.
Ever shown a cat a photograph of a mouse? No reaction. None. Nada.
No photograph is ever a true representation of anything.
Ever shown a cat a photograph of a mouse? No reaction. None. Nada.
Posted 01/08/2012 - 17:16
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Our cat has only ever once shown any interest in two dimensional images. One day she watched, avidly, an entire hour of nature programme. Nothing before or since, so who knows how the feline mind works.
Best regards, John
Posted 01/08/2012 - 19:19
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Despite having lived alongside a few cats I haven't much idea how their mind and eyes work but I do know a little bit about dogs. Show them a photograph and that is precisley what they see, a piece of paper, a screen or even a slide with coloured marks on it. Show them a cartoon dog on TV and they dont react but they do react to film of a real dog because they are tuned to recognising movement patterns
Ken
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
Posted 01/08/2012 - 19:47
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johnriley wrote:
The darkroom took the negative and we manipulated it as we saw fit, using whatever techniques appealed. Shading and burning in, choosing a paper grade, maybe using split grades, maybe toning...it's endless.
The darkroom took the negative and we manipulated it as we saw fit, using whatever techniques appealed. Shading and burning in, choosing a paper grade, maybe using split grades, maybe toning...it's endless.
Drawing with light.
bforbes wrote:
If you are talking about JPEG images straight from the camera. These are only what a Pentax software engineer thinks they should be and may not anything like the scene your eye took in, in terms of contrast or colour.
If you are talking about JPEG images straight from the camera. These are only what a Pentax software engineer thinks they should be and may not anything like the scene your eye took in, in terms of contrast or colour.
The image produced by my camera (jpegs) are as I remembered the scene.
johnriley wrote:
Digital photography is simply the electronic version of doing this and Photoshop follows darkroom practice very closely. Thise who never used a darkroom will not be as aware of this.
All the things i do now in Photoshop I could and did do in the darkroom. It was probably much more difficult to do in some respects, but not in others. There really is no difference.
Digital photography is simply the electronic version of doing this and Photoshop follows darkroom practice very closely. Thise who never used a darkroom will not be as aware of this.
All the things i do now in Photoshop I could and did do in the darkroom. It was probably much more difficult to do in some respects, but not in others. There really is no difference.
So, how did you "sharpen" an image in the darkroom?
All the best
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Pentax Lenses 28-80 F, 300 DA*, 80-200 F, 35 F2.4 AL, M50 F1.7, 28-105 DFA, 20 F4 SMC
ONE UNITED Member
Posted 01/08/2012 - 19:54
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Do you really have nothing better to do than to come onto this forum and argue with everyone?
Why don't you go and find a forum where nobody uses a digital camera? Or even better, since you think we shouldn't be using computers to show photographs because they are no longer photographs(???) find a local club where all the members are over 70 and who don't like new fangled things like film on reels?
Why don't you go and find a forum where nobody uses a digital camera? Or even better, since you think we shouldn't be using computers to show photographs because they are no longer photographs(???) find a local club where all the members are over 70 and who don't like new fangled things like film on reels?
Posted 01/08/2012 - 19:55
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gartmore wrote:
Despite having lived alongside a few cats I haven't much idea how their mind and eyes work but I do know a little bit about dogs. Show them a photograph and that is precisley what they see, a piece of paper, a screen or even a slide with coloured marks on it. Show them a cartoon dog on TV and they dont react but they do react to film of a real dog because they are tuned to recognising movement patterns
Despite having lived alongside a few cats I haven't much idea how their mind and eyes work but I do know a little bit about dogs. Show them a photograph and that is precisley what they see, a piece of paper, a screen or even a slide with coloured marks on it. Show them a cartoon dog on TV and they dont react but they do react to film of a real dog because they are tuned to recognising movement patterns
I agree that a dog will react to a moving image, but it wouldn't recognise a video of a dog as a dog.
Although I do have a sneaking suspicion that my cat is much smarter than she lets on!
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2917 posts
15 years
another place
You are entitled to your opinion of what a "photograph" is and what digital manipulation means.
My opinion is different. Photography is art. There are no rules.
+1,
Digital photography has just expanded the possibilities.