One reason why I love shooting RAW
Good to hear from you.
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
I can get very similar results as the above with JPEG's and therefore thats why I don't bother with RAW.
Different strokes for different folks
I can get very similar results as the above with JPEG's and therefore thats why I don't bother with RAW.
prove it i would say.
The imaged are quite exposed to the right, perfect for raw but not perfect for JPG, like Prieni said posterization will most likely be a problem.
Certainly with the K5 which is able to capture 14 stops with RAW, JPG can't and won't hold that amount of information.
My understanding is that you have as much and more options and latitude with RAW over jpeg,
We too have had a grim June and July until the last few days when there has been sunshine and blue sky with large fluffy white clouds. I shot RAW+JPEG most JPEGs were fine but I was glad to have some of the RAW files to recover blown highlights in the clouds. Invaluable.
Andrew
"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference. All of them can record what you are seeing. But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050 http://s927.photobucket.com/home/ADC3440/index
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As long as it works for you it's fine. And there are arguments and several situations where JPG is the method of choice.
Prieni
Prieni's PPG page
Well, the OP is quite familiar with processing JPEGs, let me assure you . There is no question that RAW gives you more room for PP. So while you get very similar results your results would be even better would you work with RAW.
As long as it works for you it's fine. And there are arguments and several situations where JPG is the method of choice.
Prieni
Exactly. JPG is 8 bit compressed. RAW has far more signal to noise ratio and thus room for processing.
RAWs everytime here.
the only time I'd use jpgs, is I was working for a News Copany which ws more interested in getting journalistic images 10 microseconds after the event happened.
Lenses: Pentax DA 10-17mm ED(IF) Fish Eye, Pentax DA 14mm f/2.8, Sigma 17-70mm f/2.8, Pentax-A 28mm f/2.8, Sigma 30mm F1.4 EX DC, Pentax-A 50mm f/1.2, Pentax-A 50mm f/1.4, Pentax-FA 50mm f/1.4, Pentax-A 50mm f/1.7, Pentax DA* 50-135mm f/2.8, Sigma 135-400mm APO DG, and more ..
Flash: AF-540FGZ, Vivitar 283
It almost looks like you've fully processed the RAW versions to achieve something close to what your eyes perceived - but done almost nothing to the jpgs ?
I shoot jpgs most of the time but switch to RAW when I'm aware there may be issues and I want the security of the recoverability of RAW.
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I thought, ok, that is a good chance to see how different the result would be when starting from the developed TIF.
You are right, though, in that a bit more TLC could make this small version look almost identical. The A4 print would be a different story...
Prieni
Prieni's PPG page
Clouds are notoriously hard to get a good image of, I struggle at the best of times, these samples have made me think again about how I shoot.
Thanks for an eye opener Prieni
K110+DA40, K200+DA35, K3 and a bag of lenses, bodies and other bits.
Mustn't forget the Zenits, or folders, or...
PPG entries.
the only time I'd use jpgs, is I was working for a News Copany which ws more interested in getting journalistic images 10 microseconds after the event happened.
Not always needed, Karl Grobl has time to work on images after an assignment yet shoots JPG.
link
Read his final comment about JPG vs RAW and getting it right in camera.
I agree that there is "more" to be had from a RAW file yet Mr Grobl's clients don't seem to mind either way as they only receive untouched JPG's.
Best regards
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1469 posts
21 years
Rostock,
Germany
As we have had a pretty rainy July in our neck of the woods I had many a chance to shoot some clouds. Straight from camera they look ok (just) but the shots don’t really convey what I saw (and here I use the term seeing more in the sense of complete sensual experience, not in the forensic sense).
A picture tells more than a thousand words, so here is an example (shot in DNG+JPG)
Here is the JPG version:
I should add that this is not the best JPG I could have gotten of the scene. I shot this with the post processing in mind (and in that respect this post is a bit biased against JPG shooting).
It certainly is lacking. Now I took the DNG into SILKYPIX Developer Studio (the RAW converter I use), adjusted colour temperature, CA, distortion (the JPG has the distortion correction applied by the camera already) gamma and contrast. The result was saved as a 16-bit TIF and looks like this:
Already a bit better, more definition in the clouds, better overall contrast.
A little bit of fiddling around in the photo processing software (duplicating the image and use of blending modes together with a couple of gradients from black to transparent (top) and white to transparent (bottom), some curve adjustments in individual layers and overall) and finally the image looks like I saw it when taking the shot:
If I had tried that kind of PP on the JPG I would have got some serious posterization. Also I find it much harder to get the colours right (as I don't care much about white balance; again, if shooting RAW I would adjust WB). Here is an example:
JPG out of camera
JPG post processed
RAW post processed
Prieni
Prieni's PPG page