Nail Varnish
The contrasting colours are superb against the black BG and the quick burst of flash has caught the movement superbly.
Chris
www.chrismillsphotography.co.uk
" A Hangover is something that occupies the Head you neglected to use the night before".
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K1 - Sigma 85mm F1.4, Pentax DFA 150 -450 F4.5 / 5.6, Pentax DFA* 24 - 70 F2.8
Samyang 14mm F2.8, Pentax DFA* 70-200 F2.8, Pentax A 50mm F1.2
K3iii + K3ii + K5iis converted to IR, Sigma 17 - 70 F2.8, Pentax 55 - 300 F4.5 / F5.6 PLM
I'd love to know how you got it to billow out like that,
It's one very cool shot.
Derek
Roy
Pentax K3 gripped,and some lenses
https://www.flickr.com/photos/pentaxroy/
my pbase gallery
The knack! Cotton sewing string is tied under the lid and then both ends tied together to form a loop over the lid so it then suspends in the water in a set place not moving. It's not a floater but a sinker so the weight of the bottle keeps the cotton taught.
The liquid is a colour matched acrylic paint that's been bonded warehouse the water to make it more liquidy when squirted via a syringe
My outfit: K1ii - Pentax D FA 24-70mm f2.8 - Pentax DA* 300mm f4 - Pentax modified DA* 60-250mm f4 - Irix 15mm Firefly - Pentax FA 35mm - FA 50mm f1.4 - Tamron SP 90mm macro - Pentax AF 540 FGZ II
Welsh Photographer
Flickr
My PPG
Foundation NFT
Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
A great effect! It was interesting to see the equipment set-up, but I couldn't relate it to the actual image at all ....not even sure If I get it after your explanation either I was surprised to see the flashes pointed bare straight at the glass ....I thought that might create all sorts of distracting glare or flare, but no, it looks very clear. Great work !
The flashes have to be absolutely parallel to the glass to avoid flare etc. I positioned them slightly in front of the subject also so the light wrapped around the front of the nail varnish bottle and also to aid spill control on the backdrop, although the flash heads were zoomed slightly to make the light slightly tighter.
What bit of the right up didn't you get?
Better with this image?
My outfit: K1ii - Pentax D FA 24-70mm f2.8 - Pentax DA* 300mm f4 - Pentax modified DA* 60-250mm f4 - Irix 15mm Firefly - Pentax FA 35mm - FA 50mm f1.4 - Tamron SP 90mm macro - Pentax AF 540 FGZ II
Welsh Photographer
Flickr
My PPG
Foundation NFT
My outfit: K1ii - Pentax D FA 24-70mm f2.8 - Pentax DA* 300mm f4 - Pentax modified DA* 60-250mm f4 - Irix 15mm Firefly - Pentax FA 35mm - FA 50mm f1.4 - Tamron SP 90mm macro - Pentax AF 540 FGZ II
Welsh Photographer
Flickr
My PPG
Foundation NFT
What bit of the right up didn't you get?
I'm afraid none of it .... I am just not understanding what I'm seeing ....is it the nail varnish coming out slowly? It looks like the bottle is closed, but is it a little bit open? I'm thinking now that its actually all very slow, but the capture makes it look like a sudden splash of action.
Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
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3412 posts
9 years
Barrybados
2 x Yongnuo 560 flashes triggered remotely @ 1/64 power. (All ambient lights turned off)
Nail Varnish by Gareth Williams, on Flickr
Background shot for flash placement
My outfit: K1ii - Pentax D FA 24-70mm f2.8 - Pentax DA* 300mm f4 - Pentax modified DA* 60-250mm f4 - Irix 15mm Firefly - Pentax FA 35mm - FA 50mm f1.4 - Tamron SP 90mm macro - Pentax AF 540 FGZ II
Welsh Photographer
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Foundation NFT