Five in a row - alfpics
Posted 25/11/2014 - 18:08
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That first one is a classic. I like the monochrome shot of the viaduct.
Best wishes,
Andrew
"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference. All of them can record what you are seeing. But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05
Andrew
"These places mean something and it's the job of a photographer to figure-out what the hell it is."
Robert Adams
"The camera doesn't make a bit of difference. All of them can record what you are seeing. But, you have to SEE."
Ernst Hass
My website: http://www.ephotozine.com/user/bwlchmawr-199050
http://s927.photobucket.com/home/ADC3440/index
https://www.flickr.com/photos/78898196@N05
Posted 25/11/2014 - 18:09
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Very nice work Andy and making me feel homesick.
Posted 25/11/2014 - 21:30
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Thank you again for your comments. Its interesting that the first one of the viaduct is preferred by the majority; I thought that the HDR effect would have been less to taste. I agree with you Simon - I had tried wrestling a bit more with the colours but went round in circles making it worse, Will have to try again! Having said that, the colour version of the second one has slightly naff colours in the brickwork IMO.
I agree that the foreground of the second image could be cropped a bit as it is dead space. As far as cropping the foreground on the first one is concerned, that is more open to debate it would seem.
And sorry Adrian - obviously no joy yet in being able to move back?
I agree that the foreground of the second image could be cropped a bit as it is dead space. As far as cropping the foreground on the first one is concerned, that is more open to debate it would seem.
And sorry Adrian - obviously no joy yet in being able to move back?
Andy
Posted 25/11/2014 - 22:35
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I am going against the flow with this one and say I like the colour second version the best, but it does need a hefty crop at the bottom to remove the dead space. The first version does not look natural to me as there is not enough shadow definition, probably the result of the HDR treatment.
Regardless, both versions are excellent shots.
Regards
David
Regardless, both versions are excellent shots.
Regards
David
Posted 26/11/2014 - 10:21
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Sorry I'm on a catch up here Andy.
Beautiful shot of the pier with the diffused pastel background and stark bold subject.
The Viaduct I've got to go with number 1 for making the best use of the pattern
Beautiful shot of the pier with the diffused pastel background and stark bold subject.
The Viaduct I've got to go with number 1 for making the best use of the pattern
Barrie - Too Old To Die Young
https://pentaxphotogallery.com/artists/barrieforbes
https://www.flickr.com/photos/189482630@N03/
https://pentaxphotogallery.com/artists/barrieforbes
https://www.flickr.com/photos/189482630@N03/
Posted 26/11/2014 - 10:27
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Thanks David and Gary. I actually like the composition and punch of the first one but need to have another go at getting the shadow depth and colour better.
Ok - day 3. An in camera effect - a double exposure. This was taken back in 1997 with the Z1-P and 28-80 lens on Velvia 50
First exposure - focussed at -0.7stop. Second exposure - deliberately out of focus -1stop

Ok - day 3. An in camera effect - a double exposure. This was taken back in 1997 with the Z1-P and 28-80 lens on Velvia 50
First exposure - focussed at -0.7stop. Second exposure - deliberately out of focus -1stop

Andy
Posted 26/11/2014 - 14:35
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I love the glow and the rich colours, very nice. I hadn''t thought of doing something like that. I wonder if it would work with digital.... hmmmmm....
K.
K.
Kris Lockyear
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
Posted 26/11/2014 - 15:48
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When I came across this image, I was wondering why haven't I tried it with digital - especially as one can keep trying and see the result straight away!
Andy
Posted 27/11/2014 - 09:52
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I like the effect, Andy - nice to see a bit of film-era manipulation, too.
Posted 27/11/2014 - 10:30
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Nice colour pallet. Would not have a clue where to start with your technique, I'm pleased I'm digital
Barrie - Too Old To Die Young
https://pentaxphotogallery.com/artists/barrieforbes
https://www.flickr.com/photos/189482630@N03/
https://pentaxphotogallery.com/artists/barrieforbes
https://www.flickr.com/photos/189482630@N03/
Posted 27/11/2014 - 12:50
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Thanks Simon and Barrie. I must have another go with the digital camera.
Barrie - I found doing multiple exposure easier with the old Z1-P. It had a multi-exposure feature that was easily accessible.
The digital cameras have the feature buried in the menu system, and once selected its easy to inadvertently cancel it!
Here is day 4;

Means a lot to me this. I was staying in a retreat place and this was in the garden. A night-time shot with full-ish moon. Taken just after midnight
Barrie - I found doing multiple exposure easier with the old Z1-P. It had a multi-exposure feature that was easily accessible.
The digital cameras have the feature buried in the menu system, and once selected its easy to inadvertently cancel it!
Here is day 4;

Means a lot to me this. I was staying in a retreat place and this was in the garden. A night-time shot with full-ish moon. Taken just after midnight
Andy
Posted 27/11/2014 - 13:47
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alfpics wrote:
When I came across this image, I was wondering why haven't I tried it with digital - especially as one can keep trying and see the result straight away!
I've done a few similar things by taking a single frame, applying a blur and then merging the blurred image back onto the original photo.....When I came across this image, I was wondering why haven't I tried it with digital - especially as one can keep trying and see the result straight away!
Very nice shot btw, great colours! I have a lens or too that give that effect when I'm not even trying
Everything Changes
https://www.flickr.com/photos/arleimages/
https://www.flickr.com/photos/arleimages/
Posted 27/11/2014 - 15:00
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Late as usual.
I like the pier and I like that it is soft, giving it a sense of distance; Things aren't pin sharp when they're a long way away.
I like the first viaduct shot, really nice and I like the illustrative, slightly unreal processing.
Great work with the leaf, nice idea. composition could be more striking
I like the pier and I like that it is soft, giving it a sense of distance; Things aren't pin sharp when they're a long way away.
I like the first viaduct shot, really nice and I like the illustrative, slightly unreal processing.
Great work with the leaf, nice idea. composition could be more striking
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