Do you worry about 'bit rot'
Joining in a wide variety of websites can help, but in the end all is soon forgotten.
Nevertheless, there is an awareness of a need to keep digitised material accessible. DSpace is one such approach: an archive system built with the intention that metadata will always be updated to remain accessible via whatever software is current in the future. It was developed by MIT and Hewlett Packard early this century and is open-source and being adopted by several academic organisations. You may be able to archive your stuff to one of these if you have some valid connection. For more information see Wikipedia and the DSpace website.
Martin
Lizars 1910 "Challenge" quarter-plate camera; and some more recent stuff.
My son in law is from a theatrical family and has a number of beautifully produced old publicity stills of his parents and grandparents by some of the top photographers of the day. Very pretty but only really of interest to film and theatre buffs. Of much greater interest are the informal family shots that invoke real memories.
For both my now grown up children I created printed albums of their first 21 years as presents along with discs of the images.
My father in law after nagging did scans of all the old family albums he had and I'm still acquiring my late Dad's pics although again what I have I share with siblings to broaden the chance that some one has a record for future generations.
The amount of media devices hard to read now is alarming though, Amiga & MS DOS floppy discs, Jaz drives, Video tapes, mini disc , cassettes etc. I've also talked to archivist friends at the likes of the National Gallery very alarmed that dependence on digital is dangerous.
I started with digital cameras around 2002 but had been scanning prints for some time.
For both my now grown up children I created printed albums of their first 21 years as presents along with discs of the images.
My father in law after nagging did scans of all the old family albums he had and I'm still acquiring my late Dad's pics although again what I have I share with siblings to broaden the chance that some one has a record for future generations.
The amount of media devices hard to read now is alarming though, Amiga & MS DOS floppy discs, Jaz drives, Video tapes, mini disc , cassettes etc. I've also talked to archivist friends at the likes of the National Gallery very alarmed that dependence on digital is dangerous.
I can understand their concern but there's such a huge amount of data being generated these days that it would be impractical to make hard copies of it all
Lenses: Pentax DA 10-17mm ED(IF) Fish Eye, Pentax DA 14mm f/2.8, Sigma 17-70mm f/2.8, Pentax-A 28mm f/2.8, Sigma 30mm F1.4 EX DC, Pentax-A 50mm f/1.2, Pentax-A 50mm f/1.4, Pentax-FA 50mm f/1.4, Pentax-A 50mm f/1.7, Pentax DA* 50-135mm f/2.8, Sigma 135-400mm APO DG, and more ..
Flash: AF-540FGZ, Vivitar 283
I recently copied all my digital and analog video tapes and it was lengthy but straightforward. I am still in the process of digitizing all my negatives and dias, though.
I checked these out and found several makes that are advertised as having a life of 100 to 200 years !
What is more, they are not really that much more expensive to buy (I use SVP)
Apparently standard CD's use aluminium which corrodes eventually which is why they fail. However gold, well, gold is gold and doesn't corrode !
I won't be around to test the makers claims but it seems worth a try ?
Peter
The advantage of digital storage is that while specific mediums might not last forever, if you are diligent to maintain the archive, when you copy the material onto newer storage devices there's no degradation in the copy.
So in answer to ...
How o you prepare your digital legacy for posterity?
... then you need to make arrangements for your descendants or interested parties to maintain your media into the future after your demise.
Ultimately though everything comes to an end, but it's noble that we do try and fight against that however futile
Lenses: Pentax DA 10-17mm ED(IF) Fish Eye, Pentax DA 14mm f/2.8, Sigma 17-70mm f/2.8, Pentax-A 28mm f/2.8, Sigma 30mm F1.4 EX DC, Pentax-A 50mm f/1.2, Pentax-A 50mm f/1.4, Pentax-FA 50mm f/1.4, Pentax-A 50mm f/1.7, Pentax DA* 50-135mm f/2.8, Sigma 135-400mm APO DG, and more ..
Flash: AF-540FGZ, Vivitar 283
Here's a bit of The Baby, the first computer:
and things have moved on a bit. Apparently it had enough memory to remember 22 words. Floppy discs are later, and I think even now few of us will have means to read standard "A" drive floppies, never mind their 5 1/4" predecessors.
It's a case in point, because I have lots of floppy discs, plus a USB "A" drive to read them with. How often do I look at them? Never. In the future, they will be thrown out by someone and the contents lost forever.
In contrast, the case of old family photos from the 1850s onwards will still be there, under the spare bed. How often do we look at those? Maybe a few times a year, and they are enjoyed by all the generations of the family.
I was in conversation with someone in the trade, and they felt that film will be here for many years, unfortunately the processing labs probably won't be and perhaps neither will the film and chemicals for home processing. Monochrome film is so expensive these days, manufacturers in a sorry decline.
I don't use film now, digital is cleaner, (probably healthier when you think about selenium toner and other chemicals used in the darkroom), quicker to post process (somehow removing that annoying dust spot using 'ink' and an extremely fine brush, doesn't appeal to me anymore).
Regards Malcombe
So the only job really is to keep your backups up to date, and ensure that anything on storage devices that are reaching the end of their lifecycle are copied across to newer types ... So far USB hard drives, DVDs and Blu-ray discs are proving to have ongoing availability and updating and show no sign of phasing out. There seems for now to always be a newer model of the hardware to buy and the discs are easily obtained. I try and reburn my DVDs every few years.
Once we're gone then there's far greater likelihood that time will pass and someone will miss an opportunity to copy the material into newer formats and newer storage technologies, and our carefully maintained DVD and hard drive archives will end up in a skip somewhere.
Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
Fan of DA limited and old manual lenses
Pentax K7 with BG-4 Grip / Samyang 14mm f2.8 ED AS IF UMC / DA18-55mm f3.5-5.6 AL WR / SMC A28mm f2.8 / D FA 28-105mm / SMC F35-70 f3.5-4.5 / SMC A50mm f1.7 / Tamron AF70-300mm f4-5.6 Di LD macro / SMC M75-150mm f4.0 / Tamron Adaptall (CT-135) 135mm f2.8 / Asahi Takumar-A 2X tele-converter / Pentax AF-540FGZ (I & II) Flashes / Cactus RF60/X Flashes & V6/V6II Transceiver
I have some of my images backed up on jaz discs. I can't plug a jaz drive into my computer without an expensive adaptor and my jaz discs are only around 10 years old...
Concert photography
Currently on a Pentax hiatus until an FF Pentax is released
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9 years
How o you prepare your digital legacy for posterity?