B&W developing help for a film newbie
- A changing bag to load the tank.
- A couple of funnels.
- A couple of measures.
- A couple of hooks to hang the film with.
I've only used liquid developers (Ilfosol), the thought of trying to mix powder accurately put me off using it, but it may help you. I kept the fixer and stop bath in collapsable bottles (these are re-used).
It's the water/chemicals temperature that matters, I used a washing up bowl as a water bath. If you haven't already looked, the Ilford website has some data sheets on films and their development.
I have heard you can simply use a couple of drops of washing-up liquid instead of the wetting agent although I haven't tried it. I was also told not to use a squeegee to wipe the water off, just run the film through your fingers.
I've seen collapsible (accordion-style) bottles. Are these to exclude air to keep the chemicals fresh?
Fan of DA limited and old manual lenses
The instructions will give times for different temps I think, your choice of equipment and chemicals is very good, washing the film well is essential
“We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole.” - Henri Cartier-Bresson -
Us a washing up bowl and get the temperature slightly above or below the correct temperature then use ice or hot water. It it not quite as critical as you might think. The developer is the most important thing and you can ignore stop if you don't need to reuse the fixer.
When rinsing the film try not to change the temperature too rapidly, but it won't matter if you end up using tap water.
I also add a drop of washing up liquid and use my fingers as a squeegee.
But I also have never used powder. Nothing against it but never tried it.
Incidentally, there is nothing quite like the first time!
Fan of DA limited and old manual lenses
Highly recommended extras would be pegs to hang and weight the drying neg afterwards ( clothes pegs will do but the Patterson weighted film clips are very good - heavy one at the bottom!) and squeegee tongs to wipe water drips away and prevent drying marks.
Check what temperature your cold tap water is. Often it is surprisingly close to the recommended temps and that will make life much easier. All the chemical makers websites have temperature adjustment graphs. These show how much you need to adjust timings depending on temperature.
The hardest part is loading the film spiral in the pitch dark and under a duvet!
Best advice I can give is get everything prepared first and don't panic too much over temperatures and timings.
Me super, MX, LX, K5,DA 18-55WR, DA 17-70, DA 55-300, DA40 Ltd, FA50 1.4, Samsung D-Xenon 12-24,Samsung 100mm macro M50 1.7(x3), M28 3.5, M35 2.8, M100macro f4, M135 3.5(+others)
It's a 'daylight' tank and works well, a few of us on here use them.
Powder AFAIK should be mixed to make a 'stock' solution, but I use Ilford Ilfosol S diluted to suit.
K110+DA40, K200+DA35, K3 and a bag of lenses, bodies and other bits.
Mustn't forget the Zenits, or folders, or...
PPG entries.
Most developers give times for 68degF and 75degF (+ degC equiv.)
I used to use 75degF for shorter dev. times, always in a
bowl of water at 75degF.
The developer goes off mostly due to oxidization so store it in
a plastic squeezey bottle or use a wine vacuum pump and stopper.
Powder chemicals are mixed to whatever working volume is given
on the pack i.e. 1 Litre 2.5 Litre etc.
Pentax K-1 + K-5 and some other stuff
Algi
Liquid chemicals are easier than trying to make powders dissolve. Working at room temperature means little variation, so if everything is around 20C that's fine. Developers will give a graph or table showing revised times for different temeperatures.
Paterson stuff is simple and effective.
Here's a final wash routine that's effective and saves huge amounts of water: Fill tank with water. Do five inversions, Empty. Repeat with fresh water doing 10 inversions. rpeat with fresh water doing 20 inversions. Job done.
The developer goes off mostly due to oxidization so store it in
a plastic squeezey bottle or use a wine vacuum pump and stopper.
I agree, I think concertina bottles are a must for storage, but you could also use glass beads or marbles to increase the volume in rigid containers, keeping the air out is 90% of the battle in preserving chems.
All this talk has got me wanting to dust my Darkroom gear off
Developing the film yourself is fun, but the real pleasure is printing. Nothing quite like watching the image appear in the tray and trying to judge when to transfer the print to the stop bath!
K.
It is an illusion that photos are made with the camera… they are made with the eye, heart and head. Henri Cartier-Bresson
Lots of film bodies, a couple of digital ones, too many lenses (mainly older glass) and a Horseman LE 5x4.
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2291 posts
14 years
Madrid / Edinburgh
I posted this in "the other" forum yesterday, I'm hoping to get some responses here too, especially as members here may be more familiar with Ilford chemistry than our American cousins.
I've recently acquired a few 35mm film cameras and I've run a few films through them (colour & B&W). The problem is that here in Spain, developing black & white film is extremely expensive, and it's primarily B&W I'm interested in. I wasn't planning on home development until I realised what it would cost me to get it done in a lab.
So, I'm looking into a basic setup for developing it myself, I'll then get the negatives scanned or printed elsewhere. I've been looking into what I need and I won't list it all. I do have some questions though.
I will be using Ilford HP5+ initially, simply as I got a good deal on a few rolls. Later I'm sure I will experiment with others. As regards the chemicals, my plan is to get hold of the following, all of which I believe I can get from a local supplier:
Paterson developing tank with two 35mm spirals.
Ilford ID-11 / Perceptol
Ilford Ilfostop
Ilford rapid fixer
Ilfotol wetting agent
Does that sound ok for a beginner?
1. Development is supposed to be done at 20ºC. I live in Madrid, where the summer days will hit 40º (or more) and the nights will drop to 32º. So, maintaining things at 20º will be difficult in the very near future. Will I be able to accurately calculate the development times for temperatures that are several degrees above what's recommended?
2. I've read that developing chemicals go off quickly, but I haven't been able to determine how quickly. Should I worry about this? Is powdered developer better? My current plan is to use Ilford ID-11 and I won't be doing a huge amount of developing. Will the high summer temperatures of where I live make the chemicals even more short-lived?
3. The ID-11 is apparently not recommended for pushing films, something which I might want to do in the near future. I think I can also get Perceptol. Which is better?
4. One link I found recommends a water pre-soak for a minute before developing, but I haven't seen it mentioned elsewhere. Opinions?
Many thanks for any help or advice you can offer.
Fan of DA limited and old manual lenses